Search results for: “sony”

  • Sony Vaio PCG C1 series: Throwback gadget

    I’m an unusual choice to write about the Sony Vaio PCG C1. I’ve only had PC envy with a couple of devices during my twenty something years at a Mac user:

    • The IBM ThinkPad 701 series with its butterfly keyboard
    • The Sony Vaio PCG C1 series of notebooks

    In common with the 701, the Sony Vaio PCG C1 impressed me with its product design. In a pioneering design for 1998, the Sony Vaio PCG C1 included a built in web camera above the screen that could be rotated to try and ensure an optimum camera position.
    Picturebook PCG C1-VN

    Sony made a small modular computer. What was important was what they had left out in their device case and instead relied on a set of outboard peripherals so the user could bring or configure their computer set-up to suit their needs.  The PCMCIA (Personal Computer Memory Card International Association) slot was equivalent of the USB socket today and used to connect a wide range of devices including both fixed-line and GSM wireless modems.
    Sony Vaio C1 VE

    The beauty extended on to the inside of the devices with some of the range using a Transmeta Crusoe processor. The Crusoe was the Intel Atom almost a decade before the Atom; it used a combination of software techniques and hardware innovations to reduce heat output and improve power consumption. This had some benefit in terms of battery improvement, but battery life relies on a combination factors such as screen power, hard drive power and other parts on the circuit board.

    This device is even more remarkable when you  realise that the Vaio PCG C1 was launched some seven years before Steve Jobs went on stage at Apple’s Worldwide Development Conference in 2005 to announce the move to Intel processors because of a new focus on computer power per Watt. You could consider the MacBook Air that I am typing this post out on as a spiritual successor to the Vaio C1. More Sony posts here.

    More information
    More about the Sony Vaio PCG C1 and one man’s adventures trying to install Linux on it

  • I like: Sony MDR-A10 headphones

    Looked back to the Sony Discman and Sony MDR-A10 headphones when looking to solve personal music in the gym. I have been using my iPod down the gym and found my present headphones inadequate for my needs. I was looking for a set of headphones that were gym friendly, that didn’t completely seal me off from my surroundings, but at the same time stayed in my ears.
    MDR-A10
    I looked at a number of designs and read reviews that put me off every alternative that I found. Eventually I remembered the old headphones that came with my Sony Discman in the early 1990s, the Sony MDR-A10. These were an iconic design in their own way. The headphones were lightweight and the degree of articulation that was in the headband to make it foldable and fit different head sizes made them ideal.

    The speakers pointed backward in the ear canal to give a more realistic sound by bouncing it around the ear like you hear normal sounds. The fact that it wasn’t fully closed made it ideal for me to be aware of what was happening around me in the gym.

    The real surprise I got was when I found out how much these headphones now go for on eBay: £30. It seems I wasn’t the only one that wanted these design features and the headphones still work well partly because they were made to a more exacting standard in a Sony factory in Japan.

    So what do they sound like? Well the MDR-A10 with it’s ‘turbo’ circuitry was designed to work with Sony’s premium Discman range of the early 1990s which have a superior performance in terms of audio output compared to Apple’s iPod. You can only get so much out of headphone drivers this small, but the headphones are good enough to show the limitations in the iPods sound. More about Sony here. More on Sony’s premium Discman range here.

  • Sony Trinitron

    It is hard for anyone who can’t remember back to the original PlayStation, but back in the 1980s and the 1990s Sony was a technology company that held the kind of stature that Apple currently holds in consumer minds. Trinitron had the kind of gravitas that Apple’s iPhone or Samsung’s Galaxy have now.

    In fact, Sony used to do a fair bit of industrial and product design for Apple. The initial Apple PowerBook range was designed by Sony and the 3 1/2 floppy disk that was the hallmark of the original Mac was down to Sony engineers who collaborated with the Apple team to get the product ready in time. Steve Jobs self-imposed uniform of black mock-turtleneck jumpers and Levi 501s was inspired by a conversation he had with Akio Morita about the use of corporate uniforms inside Sony Japan which created corporate cohesion. (Sony had implemented these, because workers in post-war Japan struggled to afford clothes). Jobs cited  Sony, alongside Cuisinart and Braun as companies that he would like to emulate in terms of product design.

    Part of Sony’s pre-eminent position was down to their amazing electronic, electrical and mechanical engineering chops combined with great product design and an attention to detail which churned out a succession of small high-performance products including high-end personal tape cassette players (the Walkman), personal compact disc players (the Discman) and camcorders (Video8 and Hi-8).

    Often consumers couldn’t afford the high-end designs so the mid-and-low range products that they bought had the Sony quality and design ‘halo’ around these products.

    The second thing that supported Sony was the high quality of their televisions. This was due partly to the industrial design that Sony perfected – particularly in their portable television sets.
    Sony Trinitron TV
    The deal closer was Sony’s display technology called Trinitron.
    Trinitron logo
    Trinitron signified the technology that Sony had inside its screen, and the logo became a mark of quality. The story of Trinitron goes back the mid-1960s, Sony had bet the farm on a great display technology called Chromatron which it had licenced from a small American company. The problem with Chromatron was that it was really hard to make the displays commercially, Sony was getting about three good displays for every 1,000 they made on their production line. The televisions that the displays went into cost twice as much to make as Sony could sell them for. By 1966, Sony was facing financial ruin.

    So they took a look around at the other technologies pioneered by the likes of GE and RCA to try and work out how they could come up with a unique patentable product. In double quick time, Sony came up with a display with an electron gun at the back of the cathode ray tube with three electrodes (for the red, green and blue composite colours), permanent magnets to focus the electron stream and an aperture grill made up of tiny wires hung vertically connected by one or two tungsten stabilising wire going horizontally across them.

    This gave Trinitron displays a bright, high contrast, high-colour display with no gaps between the colour phosphor dots on the screen. I still use a Trinitron set to watch DVDs because it provides a superior colour and contrast to more modern LCD screens. Modern LCDs have to use a lot of power; up to 1,000 watts to try and match the contrast of the Trinitron set. In 1996 Sony’s patents ran out and technological change with copycat designs from Mitsubishi and ViewSonic; followed by LCD displays eroded Sony’s advantage in the market. Prior to bowing out of the market Sony made its WEGA sets which feature the best consumer Trinitron screens to date – and can be picked up on eBay for a song. In 2008, Sony stopped selling Trinitron televisions in the developed word (though WEGA sets continued to be sold in China).

    It still has a production line in Singapore making Trinitron displays for professional use, in particular video monitors. Sony’s television business is now bleeding cash as it no longer has a best-of-breed display technology advantage and so consumers will no longer pay a premium price because it’s a Sony. A Sony BRAVIA LCD television is a Sharp or Samsung panel display with Sony electronics and packaging.

    Efforts to commercialise OLED displays have so far proven to be unsuccessful so far; though Sony does offer a Trimaster branded version of these for high-end video monitoring. Presumably the Trimaster brand is allusion to the gold standard that Trinitron provided. More Sony related content here.

  • Sony Discman D-250

    When you think about the likes of the Sony Discman D-250 you need to realise what it was like growing up in the 1980s. It meant that personal music on the move was a ghetto-blaster perched on your shoulder annoying the neighbourhood or a Sony Walkman personal stereo. I was really fortunate in that I had a half decent Walkman WM-24 which whilst bulky gave half decent sound. It was more expensive looking than it actually was but the Dolby noise reduction made a big difference. This eventually died on me and I ended up with a more modern, but poorer quality Walkman WM-36.

    But a CD player was what you really wanted, for decent sound.
    Sony D-250 Discman
    I poured over the Sony catalogues working out which one I wanted (the Sony D-Z555) versus the best that I could afford (the Sony D-250). The Sony D-250 Discman was in Sony’s premium Discman range, featuring a pressed metal chassis and a NiCD rechargeable battery the size of a packet of Dentyne gum. Eventually the battery dying and my not being able to buy a replacement battery would see it do hi-fi duty. Portable music would have me use a Sony DCS901 Sports Discman. This also played CD-Rs full of MP3 files – it was my pre-iPod and had a battery life of almost 40 hours, but more of that another time.

    The Discman D-250 came with line-out connection for a hi-fi and you could attach a wired remote control. It could be programmed to random play, play tracks in a specific order and access CD ‘index marks’. These index marks put you to predefined points in a specific recording and at the time were only used in some classical recordings. As a standard it wasn’t widely supported but would have leant itself well to the mix CDs that started to come along a few years later from Mixmag Live.

    The CD has served me well as a player for my hi-fi system because of its rugged mechanicals and decent electronics long after I started using an iPod for portable music and its more sophisticated brother the D-Z555 is highly prized by hi-fi enthusiasts for the same reason, particularly as it featured a digital output as well.

  • Sony Walkman WM-D6C Pro

    The Sony Walkman WM-D6C Pro had a central part in music culture. By the time I was in sixth form many of my friends who were into their rock music used to order bootleg concert recordings from mail order outlets like Adrian’s Records.

    The quality of the later bootlegs were noticeably better as it was easy to connect an affordable portable high-quality recording source up to the concert mixing desk or use a good microphone for a field recording. In fact, whilst some bands, notably The Grateful Dead, built a following using bootlegged concert tapes as a marketing tool; the record industry viewed it with a horror comparable to bit torrent today.

    Sony Walkman WM-D6C Pro

    If there was one device responsible for improving the quality of these recordings it was the Sony Walkman WM-D6C Pro, then often known as the Pro-Walkman. Michelle Shocked, a folk artist beloved by the likes of Q Magazine, sprang into the spotlight with an album called The Texas Campfire Sessions (which was originally a bootleg or ‘field recording’ released by an English producer) recorded on a WM-D6C and Henry Rollins used one to record many of his spoken word recordings. In reality Sony had built a number of professional grade cassette recording devices, but this was the most useful. So it was inevitable that I would write about this throwback gadget.

    Why was it so great?

    • Cost: in terms of recording, the WM-D6C was favourably compared to Nakamichi hi-fi cassette decks. Nakamichi were about as high-end as cassette tape ever got with the Nakamichi Dragon cassette decks selling even now on eBay for 1,000+ USD. Hi-fi magazines recommended them as part of an ideal starter audiophile set-up. One of my friends used to have a Pro-Walkman, a NAD amplifier and a set of Rogers speakers. In terms of portable recording the Pro-Walkman was cheaper and more portable than comparable items in the Sony and Marantz ranges and was far cheaper than the Nagra range of portable reel-to-reel recorders often favoured for professional field recordings
    • Features: the Pro-Walkman was also distinguished by being the only device of its size to have Dolby C noise reduction and a line-in socket. The tape mechanism was a quartz controlled capstan servo which controlled the tape speed precisely and dramatically improved the recording and playback quality of a cassette
    • Build quality: the Pro-Walkman is exceptionally well put together. They last forever and can withstand a lot of abuse, being a lot less fragile than your average Walkman. All this engineering came with a price; as the device had quite a heft to it; however it could still be easily dropped in a coat pocket or handbag. If you see one of them dismantled you realise that it required hand assembly with almost the same level of skill as a watchmaker
    • Trusted brand: It is hard for anyone younger than 16 to imagine the amount of trust Sony had as a brand. I still have a Sony Trinitron TV as it has an exceptional picture quality and my Uncle invested in a Sony Beta video recorder because whilst VHS was more popular this was a Sony. The Walkman defined listening to music on the move in the 1980s and for most people, though boom boxes had their place too and the Discman picked up where the Walkman left off. Think Apple or Google to get an idea of how big this brand was

    Its_a_Sony
    It’s a Sony stood for unsurpassed quality in consumer electronics in the minds of many consumers because Sony’s industrial design, manufacturing prowess and quality were second-to-none (though in truth, the cracks had already started to show by the mid-1980s with some cheaper products being exceptionally cheap and nasty). And regardless of my current ambivalence towards the Sony brand and what happens to Sony in the future; both the Sony logo script and the ‘It’s a Sony dotted logo’ have to be two of the most iconic pieces of graphic design for me. More Sony related posts here.