Samsung pledges to invest $22B in AI, 5G and other emerging technologies – SiliconANGLE – plan to invest $22 billion in emerging fields such as artificial intelligence over the next three years. The effort will be driven primarily by the conglomerate’s Samsung Electronics Co Ltd arm, which makes its popular mobile devices. Last quarter, the handset maker saw profits decline for the first time in nearly two years due to stagnating smartphone sales. Investing more in emerging technologies could help Samsung generate new growth on the long term
Save Sarah Jeong! And Kevin Williamson, Quinn Norton, and Joy Reid Too | WIRED – my comment: I agree that Ms Jeong has a right to an opinion. She has a right to a bad day. However when she weighed into the Naomi Wu / Vice Media dispute; her contribution damaged some of the feminist and progressive viewpoints that she herself supports. As an international Wired subscriber I find it difficult to support her particularly aggressive form of American privilege. Ms Jeong used her skill in rhetoric to hide her lack of expertise in the legal and online social environment of China.
‘Hipster kryptonite’: will CDs ever have a resurgence? | Music | The Guardian – interesting read. I have listened to CDs and have them, but preferred to DJ with vinyl for tactile reasons. The article fails to ask whats next. We’ve got a generation coming through with Spotify with a more passive, casual relationship to music that we haven’t seen before. There has always been people who liked music but bought few if any recordings. We haven’t seen it on the scale that we see with the Spotify generation. Music becomes a utility like water, electricity or mobile data. Since music tends to be about playlists now the artist’s brand becomes less important. Festivals provide the buzz of live music for generation Spotify but they can dip in and out moving from one tent to another. They won’t support live acts in local concert halls, go to local clubs to support local DJs or have eclectic musical libraries
The UK Top 40 will never be the same | British GQ – For a stream to qualify as a sale, it has to play for at least 30 seconds. Most listeners will abandon anything too jarringly different before then, so there’s an incentive for artists to draw on a small pool of bankable writers, producers and styles. “I call it the shit-click factor,” says Masterton. “If a record is too challenging, then people will say, ‘What’s this? It’s shit,’ and click onto the next one. There used to be room on the charts for something dynamic and exciting such as the Arctic Monkeys. I can’t see the circumstances right now where that could happen.”
Rock is the new jazz and vinyl’s misleading revival: 5 things I’ve learned as Guardian music editor | The Guardian – Technology has vastly increased what record companies know about listeners and their listening habits, just as it has increased what newspapers know about their readers and their reading habits. And the results of this – on both parts – can be pernicious. At our end, it’s the reason why we get complaints about endless stories about Adele and Beyoncé and Kanye West. Why do we run them? Because people read them. Whereas very few people read stories about the latest underground band we want to rave about. And in music, that knowledge has resulted in commercial music, more than ever before, being made to a formula
Tymbals – #edge @growth – interesting online tool
ITV joins Hollywood giants to back video streaming service for mobiles | The Guardian – ok what am I missing here, streaming services are already on mobile and also offer side loading to deal with network quality issues
Say Hello to the New Editor | The new Gutenberg editing experience – interesting changes that will make themes less rigid