Ged Carroll

Category: culture | 文明 | 미디어와 예술 | 人文

Culture was the central point of my reason to start this blog. I thought that there was so much to explore in Asian culture to try and understand the future.

Initially my interest was focused very much on Japan and Hong Kong. It’s ironic that before the Japanese government’s ‘Cool Japan’ initiative there was much more content out there about what was happening in Japan. Great and really missed publications like the Japan Trends blog and Ping magazine.

Hong Kong’s film industry had past its peak in the mid 1990s, but was still doing interesting stuff and the city was a great place to synthesise both eastern and western ideas to make them its own. Hong Kong because its so densely populated has served as a laboratory of sorts for the mobile industry.

Way before there was Uber Eats or Food Panda, Hong Kongers would send their order over WhatsApp before going over to pay for and pick up their food. Even my local McDonalds used to have a WhatsApp number that they gave out to regular customers. All of this worked because Hong Kong was a higher trust society than the UK or China. In many respects in terms of trust, its more like Japan.

Korea quickly became a country of interest as I caught the ‘Korean wave’ or hallyu on its way up. I also have discussed Chinese culture and how it has synthesised other cultures.

More recently, aspect of Chinese culture that I have covered has taken a darker turn due to a number of factors.

  • Barcode turns 30

    The Boston Globe online has a mildly interesting article about the UPC (universal product code) or barcode that graces all our groceries. They give a potted history of the code and mention the various urban myths that rose around it including:

    • Some considered that the barcode represented the Anti-Christ
    • Others considered that the barcode was a corporate plot against consumers (though the lack of technology before the bar code had not stopped collusion).

    The article goes on about the inventory savings items, but neglects to mention other add-ons that came out of it including:

    • Near-real time sales data, which could be datamined for purchase paterns, this allowed Walmart to famously increase beer sales by putting a six pack and nappies (US Eng: diapers) together for stressed fathers
    • Increasing the power of retailers who can provide research companies and suppliers with data on product sales faster, fattening the coffers of AC Neilsen
    • Dramatically altered store design by being able to trial changes in layout or promotion and see the results through the tills, this was as dramatic as the spreadsheet allowing senior business folk to run what if scenarios
    • Loyalty cards, when you can analyse purchase patterns and inventories, match them both together to decide how to influence consumer behaviour

    A less documented feature of the barcode is that it revolutionised kick-backs for music shop workers. Record labels have been hot beds of interesting accounting practices at the best of times, which is why these practices could happen. When I DJ’ed far more (and had more time); I used to hang with a number of record shop assistants who worked in ‘chart shops’.

    Being a DJ meant tapping into a number of sources. I was signed up to promo agencies for white labels, but that wasn’t that great and a lot of the quality was pretty awful.

    I was also connected to the specialist shops for my imports, promos that I didn’t have access to and underground vinyl.

    The small chart shops was where I got some of the best British dance music cuts. The smaller independent chart shops got a lot of support from the major labels:

    • Cheaper records to sell on to the public
    • Items often arrived in their stores first, before the big chains
    • Exclusive access to limited edition remix records
    • Instore band signings (again often at the expense of big chains like HMV)
    • Promotional record label items: jackets, bags, gig tickets, artwork
    • One high selling record for free with every two hype items they put through the scanner (note that I did not say sell)

    I used to occasionally drive with friends to Fox’s Records in Doncaster, one of the largest chart shores. Closer to home I had a good relationship with Jez and Tony who used to run Penny Lane Birkenhead. Tony had been with the firm for time and had risen to be the store manager at this branch. Tony was a seasoned ligger. His assistant, Jez was a quiet dreadlocked skater kid who used to work in a secondhand dance vinyl shop in the Palace – at that time a trendy shopping complex on Wood Street in central Liverpool.

    This barcode revolution did not happen overnight, I still remember being in primary school in Liverpool and seeing sticky price tags and the guns being used in the local Tesco and Asda supermarkets. Bargain bucket department story chain TJ Hughes, only implemented a stock management system utilising bar codes less than five years ago after new owners discovered stock in their warehouses that may have been over ten years old. The local supermarket to my Uncle living in rural Western Ireland still uses sticky price labels with no barcode scanner in sight, a nod to our modern times came when the labels changed colour from white to fluorescent yellow. More related content can be found here.

  • V and A

    On Saturday, I continued my sporadic tour of London’s cultural highpoints: Fabric, Smith of Smithfields, The End, Flying Records, Phonica, The Science Museum and now the Victoria & Albert Museum known informally as the V and A.

    The museum is very disorientating despite the map that they provide you with on the way in. In fact the map was an offence against design to my co-explorer Steve, a design agency owner who came along. The exhibits on Japan were very interesting and made Europe look like a bunch of savages. The Victorian silverware looked crass and tasteless, the plunder of robber barons from an empire that spanned a third of the world (sort of like Kenneth Noye on a grand scale).

    There were lots of activity areas and it should get a high rating for being child friendly. It was way cool and both Steve and myself took some time out for learning activities. The café wasn’t as swish as I had thought that it would be, however it is still very good. My expectations of the V and A had been distorted by the ‘V&A café with museum attached’ descriptions of it in the media. (Their 1 1/2 cup pot of coffee is actually good for two cups).

    In addition, they had The Other Flower Show art exhibition and Tracy Emin’s work in particular had a very dark sense of humour in it with a ouija board and knife in the centre of a children’s wendy house.

    One of the things I found out was that it was Architecture Week, judging by their materials and handouts both RIBA and the Arts Council had invested heavily in it. However beyond mentions in the design press about activity in Clerkenwell to celebrate the event we had not seen any press coverage. If you were involved in Architecture Week and want to get more publicity give me a call :-))

    The V&A area suffered from a dearth of fast food suppliers so Steve and myself had to decamp by foot to Leicester Square in order to support a heinous global corporation that tears down the rainforest and provides gainful employment to sociology graduates in the fast-food industry. More posts about getting out and about here.

  • Lollapalooza 2004

    Lollapalooza 2004

    US music festival Lollapalooza has a similar standing in the UK to Glastonbury or the Mean Fiddler events. It is best known to UK audiences for appearing in at least one Simpsons episode (where Cypress Hill jam with a symphony orchestra). Due the reaganomic policies of the Bush administration Lollapalooza 2004 will not be going ahead this year.

    A message from Perry

    The organisers wrote on their website “A MESSAGE FROM PERRY

    To all my Fellow Artisans, Activists, and Feverish Supporters,

    It is with heart gripped despair that I inform you of Lollapalooza’s disbandment for the summer of 2004. To say that you terribly miss something that never was born is somewhat odd, yet in this case, it is quite accurate.

    I hope you can accept my apologies for not providing you with the summer that you had your hearts set on. I tried very hard to keep us on course; heading straight into the most ferocious musical storm in history. We were not able to continue; we were taking on huge financial losses.

    And still, I want you to know that I fought for our lives into the final hour.

    Please know that I value your talents and look forward to meeting you again – a little later on to re-discover ourselves as friends. If it makes you feel any better, I am in the same boat as most of you; “Only loaded with talent.” But with talent like ours, they can’t hold us down for long.

    Upon reflection, I conclude there is a story here. It is the story of a musical community under the influence. No, silly, it’s not drugs. This is an influence far more damaging and threatening, as in: “They are threatening to sue us for damages.” My prayer is that we live to fight another day and walk together at the victory parade.

    We hoped for comfort but we’ve never felt too safe. And in these hard times, we’ve had to navigate through. Unexhausted; is our virtue,

    Peretz

    PS. I am still looking for a shining moment or two for us this summer. I hope you will receive me when I call.

    LOLLAPALOOZA 2004 CANCELS ALL DATES

    “You can imagine the dismay I share at this moment with the artists and musicians who were looking forward to the tour. Lollapalooza could no longer see fit to continue this year. Our plight is a true indication of the general health of the touring industry and it is across musical genres. Unexhausted is our virtue. We are taking Lollapalooza back and plan on rebuilding and recreating the festival in surroundings more conducive to the cultural experience we’ve become known for.”

    – Perry Farrell”

    More related posts here.

  • Fahrenheit 9 11

    A posting on Interesting-People.org. US adverts for Moore’s movie Fahrenheit 9 11 could be stopped from July 30 if the Federal Election Commission (FEC) accepts the legal advice of its lawyers.

    At the same time, a Republican-allied 527 soft-money group is preparing to file a complaint against Moore’s film with the FEC for violating campaign-finance law.

    The FEC’s have been advised that political documentary filmmakers may not air television or radio ads referring to federal candidates within 30 days of a primary election or 60 days of a general election.

    The opinion is generated under the new McCain-Feingold campaign-finance law, which prohibits corporate-funded ads that identify a federal candidate before a primary or general election.

    This could also affect promotion of a number of other upcoming political documentaries and films, such as Uncovered: The Whole Truth About the Iraq War, which opens in August, The Corporation, about democratic institutions being subsumed by the corporate agenda, or

    Silver City, a recently finished film by John Sayles that criticizes the Bush administration, The Hunting of the President, which investigates whether Bill Clinton was the victim of a vast conspiracy, could be subject to regulations if it mentions Bush or members of Congress in its ads.

    Since the FEC considers the Republican presidential convention scheduled to begin Aug. 30 a national political primary in which Bush is a candidate, Fahrenheit 9 11 and other politically oriented documentaries could not air any ad mentioning Bush after July 30. More related content here.

  • Free party clampdown

    An old clubbing pal of mine from Birkenhead Si forwarded on this interesting article in the Western Morning News. According to the article police are preparing to use the wide ranging powers of the Anti Social Behaviour Act 2003 to clamp down on unauthorised open-air gatherings – a free party; in conjunction with provisions already made by sections 63 – 67 of the Criminal Justice and Public Order Act 1994. With its definition of music as an emission of a succession of repetitive beats, thus allowing unscheduled opera performances but not young peoples music.

    While I can understand people’s concerns over noise; I am more concerned about the right to associate, freedom of expression (by speech, music or visual media) and the two standards allowed in the law making free party attendees second-class citizens.

    And politicians wonder why so many voters are apathetic?

    May it have something to do with:

    • the persistent erosion of voters rights?
    • a lack of clear differentiation between many of the social policies of both major political parties?
    • legislation that no longer represents the social mores of much of the electorate?
    • a collectively small amount of life experience amongst professional politicians, the significant majority of which are trained lawyers?
    • a cynical political process that means that politicians go after softer targets rather than dealing with the big policing issues in the UK, such as organised crime, rise in violent crime, white collar and corporate crime?

    Si also generously included a link to lots of information on where there might be a local free party here, just remember its free as in speech; the parties do cost money to put on. More culture related posts here.