Ged Carroll

Category: oprah time | 書評 | 서평 : 文芸批評

Welcome! I guess the first question that you have is why oprah time? Well in my last year of college I used to sit in the house that I shared with my landlord and write my essays whilst watching cable TV.

There I would be sipping tea, writing away and referencing from text books spread around me on the couch and coffee table. One of the programmes on the in the background was Oprah Winfrey. A lot of the show was just background noise. But I was fascinated by Oprah’s book club.

She’d give her take on a book, maybe interview the author. And then it would be blasted up the New York Times bestsellers list. This list appears weekly in the New York Times Book Review. Oprah’s book club was later emulated by other talk show hosts, notably the UK’s Richard Madeley and Judy Finegan.

On the high end you had Melvyn Bragg‘s South Bank Show when they profiled an author of the moment.

When I came to writing my own review of books that I’d read, I was was brought back to that time working on a sofa. Apple laptop in hand. It made sense to go with Oprah time.

You might also notice a link called bookshelf. This is a list of non-fiction books that I have kept. And the reasons why I have kept them.

If you’ve gone through my reviews and think that you’d like to send me a book to review. Feel free to contact me. Click this link, prove that you’re human and you will have my email address.

  • America’s Secret War

    I recently finished reading America’s Secret War: inside the hidden worldwide struggle between the United States and its enemies, George Friedman’s book on the war on terror as George Bush calls the fight against Al Qaeda. America’s Secret War is interesting for a number of reasons. It discusses the war in a dispassionate manner, it slices rather more neatly than the media has ever been able to splitting the facts and propaganda from each other. Most importantly, in my mind it highlights a war that was not about oil or weapons of mass destruction, but a very expensive ‘Kirby Cleaner’ pitch. Years ago in an effort to make money, I considered selling these overpriced vacuum cleaners (even more overpriced than a Dyson). Anyway a key part of the sales person from Kirby is when they do a demonstration with a machine and show you what it is capable of (think HSN or QVC-type demos in your own living room).

    According to Friedman, the invasion of Iraq was part of an effort by the Americans to persuade the Saudi’s to get serious on terrorism. A demonstration of regime change through ‘shock and awe’ to show what happens to rogue regimes.

    George Friedman is a respected and very credible geopolitical pundit and heads up Stratfor.

    Who is Stratfor?

    Stratfor is an organisation which provides analysis of global and regional political and socio-economic issues to companies, organisations and government agencies. It has a client base made up of a wide range of blue-chip companies including the usual suspects in the energy sector, defence contractors, management consultancies and the media.

  • The Layer Cake by JJ Connolly

    The Layer Cake is a hard bitten crime novel of 90’s underworld London that the movie was based on. However the book is worth reading because the plot is similar but different to the film.

    I won’t go into too much depth because that would spoil it for you, but suffice to say its a great read. The book doesn’t have the slick quality of the film, primarily because it has more depth.

    From the thought that has gone into it, one may wonder as to how J.J. Connolly got his knowledge. Having worked and lived in clubland during the late 1980s and early 1990s the type of characters Connolly describes brought me right back to my early and mid twenties.

    The Layer Cake mixing the world of private military contractors and criminal endeavour reminded me of a former boss who had an address book. The address book was alleged to be full of ‘good lads’ who could solve problems ‘at home or abroad’. He was anything but the action man himself, being obsessed with his Hugo Boss suits at the time. He’d apparently been employed because of his work for a major name in the road construction industry, before I’d worked for him.

    Great fiction like other forms of art has an intrinsic truth hidden inside that otherwise wouldn’t be able to be told.

    Get out and buy the book; watching the film before the book doesn’t affect your enjoyment of it. More book reviews here.

    The Layer Cake

  • Running Money by Andy Kessler

    Andy Kessler’s Running Money, Hedge Fund Honchos, Monster Markets And My Hunt For The Big Score is a well written set of memoirs from a technology fund manager. Together with his partner-in-crime Fred Kittler, Kessler managed to survive the highs and lows of the technology industry in the late 1990’s, he tells the story in a very articulate way that is as powerful as Robert X Cringely’s book Accidential Empires. The expansion of the tech sector is told using the industrial revolution as an analogy.

    One of the first things portrayed in Running Money (and other books) is that the tech sector actually revolves around a relatively small group of people. In addition to writing his memoirs Kessler tries to make sense of it all and proves very illuminating to readers. In this respect it is far better than The New New Thing by Michael Lewis.

    Post-industrial, IP-driven economy

    The book looks beyond the technology sector to put a positive spin on the huge US deficit. Running Money explains that America is now an IP economy and assumes that the developing world will follow on behind as a wave sweeps across national borders moving the economic status through hunter gatherer, agriculture/extractive, industrial, service and intellectual property economies. In some respects the US with its IP economy is following Europe; what is the Swiss banking system, LVMH’s luxury brands and the continents big pharmaceutical firms if not part of an IP ecosystem?

    Conclusion

    I would recommend anybody to read Kessler’s book. I thought I would end however on some of the differences in viewpoint I have with his writing. Where some of Kessler’s writing differs from my own perspective is when he outlines his analysis of the current state of affairs and some of his future vision:

    • Kessler considers markets to be a perfect instrument in the long term; which I am not convinced about at all. Think the great depression, the S&L debacle of the 1980s for instance, markets can break and require occasional interference
    • The neat model of China being an industrial workshop for US intellectual property is simplistic. China is fast moving into building its own brands from mobile handsets to luxury watches (the first Chinese astronaut went into space with a relative expensive Chinese brand of chronograph. China and India has a huge film industry. It isn’t only China either, Japan is now a source of numerous fashion trends, hot movies in Korea have their scripts optioned by Hollywood, some of the best advertising creative teams come from South America and India)
    • Kessler talks about the entertainment industry as being part of this US IP powerhouse but this fails to see the many flaws and mismanagment in the music, media and film industries that make Worldcom seem well managed. The RIAA and MPAA have hid behind piracy to hide a deeper malaise highlighted in Michael Wolf’s Autumn of the Moguls
    • Kessler doesn’t talk about what the inevitable post-intellectual property economy looks like

    More book reviews here.

  • Six Days by Jeremy Bowen

    I recently finished reading Six Days – How the 1967 war shaped the Middle East by Jeremy Bowen. Bowen is a famous BBC journalist who seems to have researched the book well and writes in an easy-to-read style. Bowen was in the region at the time and has supplemented his experience with later research.

    I decided to read the book as I was curious to read more about the Six-Day War. The war had been  an important event in Moshe Dayan’s autobiography. If you have the chance, Dayan’s autobiography Story of My Life is a great read for a counterpoint to Bowen.

    Bias

    In Six Days Bowen tells a story that no one involved will be happy with and covers the shooting and sinking of the USS Liberty in such a way that it prods your mind to search for answers.

    The book is as much about the failings of the surrounding Arab states and the Soviet Union as it is about Israeli aggression, though Bowen’s telling of the story leans heavily in favour of the Arabs. So long as you are aware of this slant its fine. His work doesn’t editorialise that much about it.

    Mosh Dayan

    Dayan was painted in the book as a political opportunist, at the expense of illustrating his now legendary pragmatism. I found the internal strife and prejudices between different groups of the Israelis very interesting, particularly the way the Zionists born in Israel looked down on the Jews from the diaspora who had survived world war two as being weak.

    In conclusion

    I would recommend that anyone interested should read this book. The Six Day War was an event that shaped the modern Middle East as we know it. I would also recommend that you do not rely exclusively on Bowen’s version of events and interpretation of events. Its a complex issue and you need to read multiple viewpoints. Bowen’s book is a good first start in your reading about the war. More book reviews here.

  • Autumn of the Moguls by Michael Wolff

    I have been working my way through Michael Wolff’s new book Autumn of the Moguls and found some of it very predictable. Its obsession with disfunctionality amongst business leaders including Eisner and Messier.One thing that did strike a chord with me was the way technology had moved from saving the record industry from itself to becoming the industry’s kryptonite. Around about 1984 or so, the music industry had hit paydirt as Joe Public moved from their analogue recordings on 8-tracks, cassettes and vinyl on to CDs. Artists of the 1960s and 1970s were the money spinners, reputedly there was one CD factory in Germany that did nothing but make copies of Pink Floyd’s Dark side of the Moon.

    Autumn of The Moguls highlights how this model then collapsed.

    Then the internet came along and the record companies were slow to take advantage of this technology so the consumers did. Instead the industry created a huge knee jerk reaction blaming the customer for their own mistakes. From pages 283 and 284:

    File sharing replaced radio as the engine of music culture.

    It wasn’t just that it was free music – radio offered free music. But whatever you wanted was free, whenever you wanted it. The Internet is music consumerism run amok, resulting not only in billions of dollars in lost sales but in an endless bifurcation of taste. The universe fragmented into subuniverses, and then sub-subuniverses. The music industry, which depends on large numbers of people with similar interests for its profit margins, now had to deal with an ever-growing number of fans with increasingly diverse and eccentric interests.

    Not a unique challenge, clothes manufacturers, car companies et cetera all have had to deal with the fragmentation of consumer interests. There is no longer any such thing as the teenager, when do people now get old? These are all similar challenges. The fear in Autumn of The Moguls isn’t piracy, it’s the ability of these businesses to manage themselves and adjust to a post modern society.

    My own take on this is that the music industry has failed:

    • Failed to give customers what they want, more eclectic artists and built a business model about more ‘customised’ sales. I read somewhere that a Volvo car model can have some 48,000 variants. Customers now have a more eclectic musical taste, artists and record companies should build for a business model of selling 40,000 rather than 400,000 of a given record
    • Failed to take advantage of their back catalogue of deleted recordings and putting them for sale online to make a better return on slowly decaying master tapes
    • Failed to innovate, during the time that record companies may or may not have sold less CDs, depending whose numbers you believe; they signed and supported less acts and off loaded talented but not huge selling artists
    • Failed to realise that a fast buck is not always the best buck. In prostituting their recordings for supermarket soundtracks, films and car advertisements the music industry turned music into musak
    • Failed to grab their own destiny and allowed their product to be dictated to them by the radio stations
    • Failed to recognise that a number of customers still wanted analogue recordings, thus allowing niche players to subvert a reasonable revenue stream. Much of the US and European requirement for vinyl is pressed in state-of-the-art factories based in the Czech Republic as the majors exited the market

    More book reviews here.