Category: innovation | 革新 | 독창성 | 改変

Innovation, alongside disruption are two of the most overused words in business at the moment. Like obscenity, many people have their own idea of what innovation is.

Judy Estrin wrote one of the best books about the subject and describes it in terms of hard and soft innovation.

  • Hard innovation is companies like Intel or Qualcomm at the cutting edge of computer science, materials science and physics
  • Soft innovation would be companies like Facebook or Yahoo!. Companies that might create new software but didn’t really add to the corpus of innovation

Silicon Valley has moved from hard to soft innovation as it moved away from actually making things. Santa Clara country no longer deserves its Silicon Valley appellation any more than it deserved the previous ‘garden of delights’ as the apricot orchards turned into factories, office campus buildings and suburbs. It’s probably no coincidence that that expertise has moved east to Taiwan due to globalisation.

It can also be more process orientated shaking up an industry. Years ago I worked at an agency at the time of writing is now called WE Worldwide. At the time the client base was predominantly in business technology, consumer technology and pharmaceutical clients.

The company was looking to build a dedicated presence in consumer marketing. One of the business executives brings along a new business opportunity. The company made fancy crisps (chips in the American parlance). They did so using a virtual model. Having private label manufacturers make to the snacks to their recipe and specification. This went down badly with one of the agency’s founders saying ‘I don’t see what’s innovative about that’. She’d worked exclusively in the IT space and thought any software widget was an innovation. She couldn’t appreciate how this start-ups approach challenged the likes of P&G or Kraft Foods.

  • The dream garage

    My friend Adam came up with the dream garage. By some quirk of fate you are wealthy. No fucks given kind of wealthy. You have a garage and it has 10 spaces. What would you put in this dream garage and why?

    Assuming that you aren’t legislated out of using the collection in the dream garage; I thought about this in terms of use cases.

    I’d want at least a couple of vehicles that would be useful. A couple that would be fun and the rest would be kept for my appreciation of some part of their design. I’ve not given any thought to maintenance or depreciation and have assumed that any challenges can be handled with enough money.

    Useful

    BMW M535i (E28)

    1986 BMW M535i (E28) (preferably in a dark colour where the original owner opted for the debadged option. In its day it was a car that hid its performance with mediocre looks. Now its still a respectable performer that won’t turn heads. So ideal for nipping to the local supermarket for the weekly grocery shop. Its also mercifully free of computerised user experience.

    Mercedes G550 4×4 Squared

    Mercedes G550 4×4 Squared (not a US market car though). The Mercedes G-Wagen is a capable off-roader already. But re-engineering it to handle portal differentials from the Mercedes Unimog made it even more capable. The portal differential means that there are is less to catch underneath the car. This allows the vehicle to have a ludicrous ground clearance. You could have got away with a relatively modest diesel engine. But Mercedes wants to sell this to plutocrats and professional footballers. So you get a twin turbo V8 petrol engine and a luxurious interior. If I had the chance I’d have it refitted with a diesel, waterproofed electrics, a heavy duty winch, a truck like exhaust and air snorkel to aid fording water off-road. I figure that if you have a ten car garage, you probably also have a good deal of land to go with it that requires good off-road capability.

    Fun

    Fun is immensely subjective and this makes anything that I put in this use case open to debate.

    Mazda Familia GT-Ae

    Mazda Familia GT-Ae. In the mid-1980s the FIA shut down Group B rally cars because of some high profile accidents. They replaced them with cars that were much closer to production cars called Group A. Manufacturers like Lancia, Toyota and Mazda saw and opportunity further burnish their reputations through motorsports. Outside of Japan the Familia was known as the 323. The GT version was their entry into Group A. It featured a 1.6 litre engine. It had four valves per cylinder and used turbocharging to force air into the cylinders for more power. It saw some success in world championship rallying when it was introduced in 1985. The GT-Ae was released in Japan three years later. It had a number of enhancements including a rear viscous coupling differential and a little more power.

    The GT-Ae is less famous than peers like the Lancia Delta Integrale or the Toyota Celica GT4. But that means its relatively discreet by comparison, the average car buff wouldn’t realise what you had.

    I also like the idea of small, lightweight capable hatchback that isn’t festooned with electronics. The Familia GT-Ae is sufficiently rare that it is hard to find material about it on YouTube.

    Ford RS200

    Ford RS 200 was an attempt to claim back honour. The early 1980s saw Ford of Europe humbled by manufacturers like Audi and Peugeot. Ford had historically put a halo around its car line-up through motorsport and warmed up versions of its own road cars. That formula had been up-ended by the arrival of the VW Golf GTi in showrooms across Europe. Worse still, its rally cars, notably the Ford RS 2000 was rendered obsolete by the move to Group B and the Audi Quattro.

    Ford eventually addressed this with the RS 200. The formula doesn’t sound that promising. A small dumpy looking coupe, assembled by the Reliant Motor Company. The engine was a warmed over design from the 1960s which had originally been put in a failed project to build the Ford Escort RS1700T. The engine suffered terribly from turbo lag at low revs, which was part of the reason why the Escort RS1700T never got off the ground. But this is only half the story.

    Short and dumpy has benefits in handling like the Lancia Stratos. What owners bought was a lightweight Ghia of Turin designed couple, with handling developed by a designer who had cut his teeth in formula one. It had a low driving position and sure footed grip with Ferguson Formula derived four wheel drive.

    Yes Reliant cars were made so bad Ford had to have them reassembled. But Reliant did make lightweight composite plastic based cars. The interior had parts predominantly taken from the Fiesta and Sierra product lines. But that lack of luxury, also meant easier to replace parts and less weight than luxury switchgear. An article published by Autocar outlined the potential of the Ford RS200 if Group B rallying had continued.

    I wouldn’t want a highly tuned version because I am not a skilled professional driver, but I would like the high travel suspension. Again there is a lack of technology to distract from the driving experience.

    What looks like publicity footage shot by Ford to demonstrate their new car. It rides a bit high as the suspension is set up for rallying. The YouTuber claims that the driver is the late great Bjorn Waldegard. It is more likely to be fellow Swede Stig Blomqvist, it is definitely Blomqvist in the last bit of the montage as he is clearly recognisable behind the wheel.

    Art

    Honda S800 coupe

    I love small cars. For my sins the best and worst car that I’ve ever owned was a Fiat 126. The engine was terrible, as was the drum brakes and it was tiresome to drive anywhere for anything more than an hour. But it also put a smile on my face more times than any other car that I owned. It handled really well. You could go sideways around corners and still stay in lane. You had a ludicrously low seating position and an exceptionally direct gear change. But the Fiat 126 looks uglier than the previous Fiat 500 and wasn’t well made. But it made me like the idea of small cars. The first car that I chose was the Honda S800. This beat out cars like the Abarth Fiat 500, the various one-off Bialberos and the Alpine A110. I love the way the Honda engineers took motorcycle engineering to formula one and then to a small sports car for the road. And to top it all off they then made it look very pretty. Japanese car companies have continued to make sporty looking kei cars, but the S500 and subsequent S800 were the originals.

    Actor Daniel Wu has the version that I want. He built it and it was displayed by Honda at SEMA. Its a mix of gorgeous period details and warmed over specification and flared wheel arches. I’d like it in white in tribute to Honda’s 1960s era racing cars rather than low level gangsters.

    Via Hoonigan AutoFocus

    Porsche 911S

    The Porsche 911 needs no introduction. I particularly like the 1973 version. The Porsche 911S is the most advanced version of the car, that kept the purity of the original design. You get a moderately powerful fuel injected engine, the alloy wheels by Otto Fuchs KG, a five-speed manual gearbox and seats with head rests which provides a degree of comfort on longer drives. So why 1973? Later the design became adulterated and added to with detail elements like the US safety bumpers. The current models of Porsche 911 look too elongated compared to the 1973 model. So even though my bedroom wall used to have a Keith Harmer airbrushed painting of a wide body late 1970s Porsche 911, I actually preferred the clean lines and smaller stance of the ‘narrow body’ 1973 car.

    https://youtu.be/JN0DWXlhSZg

    Toyota 2000 GT coupe

    Most westerners know the Toyota 2000GT as the ‘E-type’ like sports car in You Only Live Twice. That’s the Sean Connery Bond film set in Japan with the ninjas and a paper mâché mountain as villains lair. The resemblance to the E-Type Jaguar is no accident. Body stylist Satoru Nozaki was inspired by European grand tourers including the E-Type.

    Yamaha did the engineering of the car. They offered it to Nissan first, who turned it down. They then took it to Toyota with low expectations and Toyota said yes. Yamaha took the engine from Toyota’s Crown saloon car and turned it into a sporty 2 litre inline 6 cylinder. When sold they cost more than Porsche and Jaguars of the day. Only a few hundred got made to provide a halo product for the Toyota vehicle range. Toyota reputedly lost money on each vehicle built. It’s just a gorgeous looking car and hence has a place in the dream garage.

    BMW M1

    During the late 1970s through to 1981, BMW built a stunning looking mid-engined sports cars called the BMW M1. The original idea what the Lamborghini would build them on behalf of BMW for production car racing. Lamborghini did engineering work on the car, but then went bust. James May alleged that BMW had to break into the closed Lamborghini facilities and steal back the M1 body moulds. Given Lamborghini’s reputation for temperamental cars around this time it was probably for the best.

    The body was glass fibre reinforced plastic, for light weight. It was styled by Giorgetto Giugiaro. This gave it a clean, futuristic, aggressive straight-lined design. Giugiaro then did designs in a similar vein for the Lotus Espirit. You can see the heritage of the BMW M1 design in the BMW i8. Giugiaro’s styling alone would get into the dream garage.

    The beauty of the BMW M1 was more than skin deep. The body panels were hung on a tubular steel monocoque frame. It had a 3.5 litre straight six cylinder engine. A version of which later appeared in the E28 BMW M5 and the E24 BMW M635CSI.

    It had a comfortable but basic interior and air conditioning. What you end up with is all the best qualities of an Italian and German sports car.

    Nissan (C110) Skyline GT-R (Kenmeri)

    The Nissan Skyline GT-R became famous in the early and mid-1990s. But the Skyline GT-R has heritage that stretches back much further. I chose the 1973 Nissan (C110) Skyline GT-R (Kenmeri) vintage car over later more capable models due to its styling which is why it sits in the ‘art’ section of my dream garage. The slope back, spoiler give it an amazing look. But it also had great technology for its vintage, notably disc brakes all around.

    The C110 Skyline GT-R was made for less than 12 months due to the 1973 OPEC oil crisis. It featured an in-line 6 cylinder engine designed by the Prince Motor Company, whom Nissan bought out in 1966. It had four valves per cylinder which was very rare at the time. This engine would also appear in the Nissan Fairlady Z 432R – a faster limited edition version of the Fairlady Z developed for production car racing.

    Nissan Autech Zagato Stelvio

    Boom-era Japan saw manufacturers like Nissan doing all kinds of interesting things, none more so than the Nissan Autech Zagato Stelvio. This was back when the land of the imperial palace was based on in Tokyo was worth more than the entire state of California. This also explains why Nissan tried to sell a car that cost 18 million yen new. Or more than a Honda NSX.

    Autech was Nissan’s equivalent of Mercedes’ AMG at the time. They had to improve on the Nissan Leopard coupe. Fortunately the Nissan Leopard coupe shared its floor pan with the equivalent Nissan Skyline. Autech put in a good effort working on performance, handling and braking.

    Autech reached out to an Italian design house to give the car a distinctive yet classy look. Interestingly, they chose Zagato. In the end you ended up with a distinctive Italian car with Japanese build quality – which sounds quite appealing. The interior reminded me a bit of the pre-Fiat Maseratis Biturbo models, particularly in the use of walnut wood veneer and leather.

    As well as the boom times of the 1980s property bubble, Japan also had a huge cultural surge. Anime from original manga like Akira and Ghost In The Shell coming out with their own take on cyber punk. I think its partly this time of creativity and cultural relevance that makes the Nissan Autech Zagato Stelvio dream garage material. It definitely looks as if it has come off the screen from the original Ghost In The Shell anime film

    A second reason is the way Zagato always seem to go off in their own direction from a styling point of view. Some of it might be ugly but it is highly distinctive. I know what you’re thinking, it weird as hell. And you’d be right, but it has some interesting ideas. Those front arches have the wing mirrors built into them to reduce drag.

    The wheels are specially designed to funnel air into the disc brakes for cooling and at the same minimise aerodynamic drag.

    The oddness of the car meant that only about 100 or so were produced in the end and hopefully one of them would make their way to my dream garage.

    I’ve talked through my ten choices. What would be the ten cars you your dream garage?

  • TSMC to SMIC + more things

    Huawei is gradually shifting chip production from TSMC to SMIC  – this is China decoupling from western supply chains. TSMC to SMIC also has the additional benefit of damaging Taiwan’s leverage on China. More on Huawei here.

    Plastic surveillance: Payment cards and the history of transactional data, 1888 to present – Josh Lauer, 2020 – interesting but hardly surprising conclusions from data-mining

    ‘Furious and scared’: Long before COVID-19, these families knew Canada’s long-term-care system was broken | The Star – issues with Chinese government-owned companies and a complete lack of accountability

    HNA in chaos as internal divisions erupt in public | Financial TimesOne investor who sought to buy a large real estate portfolio from HNA in late 2018 said that the deal fell through because it was no longer clear who was in control of the assets – this is interesting when you start about thinking allegations of all Chinese businesses (like Huawei) essentially being state-directed businesses. Especially when you consider it in the context

    Inside Icebucket: the ‘largest’ CTV ad fraud scheme to date | Advertising | Campaign AsiaWhite Ops has uncovered what they report to be the largest-ever connected TV fraud operation in history, affecting more than 300 publishers and millions of dollars in ad spend.

    Local TV Is Back (With an Assist From Coronavirus?) | The National Interest – yet broadcast TV isn’t in mix when experts talk about advertising at the present time

    What really happens to the clothes you donate | Macleans – interesting complex supply chain for fibres and nothing. Also interesting how grading of garments stayed within the Asian diaspora formerly based in the British colonies of East Africa

    Sorry Huawei, the P40 Pro without Google apps is just too broken to live with – probably one of the best rundowns on how the lack of access to Google mobile services is handicapping Huawei handsets

    China’s top chipmaker says it can match Samsung on memory tech – Nikkei Asian Review – how much of it is stolen technology?

    Contingency planning: where should brands be moving their ad spend? – GlobalWebIndex – an interesting read but needs the additional lens of channel effectiveness as well

    Cam Girls, Coronavirus and Sex Online Now – The New York Times – it will be interesting to see if it continues on post crisis

  • Misleading ad metric + more news

    Facebook executives ‘knew for years’ about misleading ad metric | Financial TimesThe lawsuit claims that Facebook represents the potential reach metric as a measure of how many people a given marketer could reach with an advertisement. However, it actually indicates the total number of accounts that the marketer could reach — a figure that could include fake and duplicated accounts, according to the allegations. – Facebook’s misleading ad metric isn’t news in its own right. What’s interesting is that the FT article goes on to claim that potential audience size in some states were bigger than publicly available data and seemed nonsensical in comparison to say census data

    UK lays out plans for legal e-scooters, medical drones and more transportation innovation in test cities | TechCrunch – if electric scooters is going to be anything like what I saw in Paris, it’ll be carnage

    Xenophobia amid the coronavirus pandemic is hurting Chinese immigrant neighborhoods – Voxanti-Asian xenophobia and racism have become a bigger issue around the world as a result of Covid-19. As Nylah Burton reported for Vox, in major cities like Los Angeles, Seattle, and Toronto, East Asians have been targeted — from racist comments made by TSA agents to verbal street harassment. Meanwhile, Chinese restaurants across the globe say they are struggling for business because of widespread misconceptions about the “cleanliness” of their food – exceptionally dark reading

    Time Out rebrands to Time In as coronavirus ‘social distancing’ takes effect | The Drum – circumstance encouraged Time Out to rebrand, but the strong equity they have in their brand allowed them do so successfully, like Pizza Hut’s Pasta Hut or the Google Doodle

    Madison Avenue Insights | Creative agencies: winning the battle but losing the warCreative agencies have mastered the requirements of integrated campaigns, from TV to online video, websites, Facebook, Instagram, ad banners and e-mail marketing. It’s a pity, then, that this victory is being undermined by agency price-cutting strategies that leave agencies understaffed and underpaid. Senior agency executives need to create winning business practices – they’re losing the business war. – great read by Michael Farmer. I suspect the piece that’s missing is the devastation wrought by procurement

    Russian influence operations using netizens in Ghana to target African Americans – GrapfikaThe operation used authentic activists and users, fronted by an ostensible human rights NGO, to covertly propagate an influence campaign. It is not the first time such an attempt has been made, but the tactic is of concern. The unwitting individuals co-opted into the operation bear the risk of reputational or legal jeopardy; indeed, CNN reported that the Ghanaian operation was raided by law enforcement as a result of their online activities. For the human rights community, the risk is that genuine NGOs may be misidentified as being involved in influence operations by accident or malice, and there is also the danger of tarnishing the reputation of important work and organizations across the field – its a fascinating read – a mix of information ops, subterfuge and offshoring. The west African link is interesting

    The Public Interest and Personal Privacy in a Time of Crisis (Part II) – Google Docs – part two of an essay by a Chinese academic- l linked to part one in this post

    Between Privacy and Convenience: Facial Recognition Technology in the Eyes of Citizens in China, Germany, the UK and the US by Genia Kostka, Léa Steinacker, Miriam Meckel :: SSRN 

    Lao Dongyan, “Artificial Intelligence” – Reading the China Dream – piece on biometric recognition

  • Playlists and mixtapes

    Working as a remote team got me thinking about playlists and mixtapes. One of my colleagues started off a themed playlist on Spotify. The playlist creativity was based around a narrative. The narrative is driven by song title.

    cassette tape
    Thegreenj / CC BY-SA (http://creativecommons.org/licenses/by-sa/3.0/)

    Spotify made it easy to collaborate on putting more in there.

    Its a form of surface data, easy to see. Easy for machines to grasp.
    It is easy to analyse. Hence Spotify’s ad campaigns and pitch to advertisers based on data.

    Initially, I thought it was this data treasure trove that made me feel uneasy about music streaming services. Where other people felt Spotify’s ads were clever, I felt they were intrusive, even voyeuristic. It felt voyeuristic reading some of them.

    Music curation is a very personal thing. But in the end I realised it wasn’t the data that bothered me. Now I realise its the nature of curation and consumption on the platforms.

    Music is something that exists in everyone’s lives. For some people it was background wallpaper. It occasionally took on ‘sound track’ starring roles at important life moments. For instance, the track the bride and groom choose to dance to at their wedding. Or a one-hit wonder attached to holiday nightlife memories.

    For some people it moves beyond being a trigger. It stirs a passion. Myself and some friends have collections of records. Owning a thing has a power of its own. Digital services don’t really understand this drive.

    iTunes organisation

    iTunes in its day revolutionised digital music. It made music accessible in way that consumers wanted. But it wasn’t a perfect experience.

    For instance, someone like myself won’t necessarily follow an artist. Electronic music often sees artists change names as often as changing an overcoat.

    The producer or remixer becomes important. Tom Moulton back in the days of disco, Danny Krivit’s famous edits or London’s Nicolas Laugier (The Reflex). All of them have distinctive sounds that bring tracks to life.

    A record label becomes synonymous with a particular sound. Blue Note Records’ jazz, Strictly Rhythm’s New York tinged house music or the early rock of Sun Records. This is a mix of a curators ear, in house studios, producers and engineers.

    Yet in iTunes you could never search by remixer, or record label in the way that you could search for an artist or group name.
    Even the way iTunes treated DJ names indicated a lack of understanding. Someone like myself would treat DJ, the way rock fans would treat ‘The’ in a band name. So DJ Aladdin would come before The Beatles. But DJ Krush would come after.
    In iTunes, it ignores ‘The’ so The Beatles sit just behind The Beastie Boys. Both of them come before DJ Aladdin who is grouped with with all the other DJ names.

    Playlists and mixtapes

    iTunes introduced the concept of playlists with the iPod, but the marketing around it was creating lists for how they made you feel. Music to run by, a chillout list etc.

    In design, this was closer to a mixtape than a typical Spotify playlist. Apple worked on making them social. At one stage artists could share playlists of tracks that influenced them. Apple tried to create editorial content around it. It was an interesting idea, but discovery in iTunes was problematic.

    A mixtape is about careful curation. You take the listener on a journey, it is often meant to convey a feeling or an emotion. One of the few people that I’ve seen do this within Spotify has been Jed Hallam’s Love Will Save The Day selections. A non-verbal message.

    A mixtape was often time bounded by its medium.

    • Cutting your own vinyl record which was done on 78rpm discs might give you 2 minutes. Enough for a short voice mail home, if the record survived the postal system.
    • Reel to reel tape might give you up to 90 minutes at reasonable quality on a 10 1/2 inch reel of tape.
    • Cassette tapes were typically 30 or 45 minutes per side.
    • CDs could provide up to 80 minutes, depending on the disc. But the original ‘Red Book’ standard capacity was 74 minutes

    The playlist has no capacity considerations. No limitations that force choices or prioritisation.

    Consuming playlists and mixtapes

    A mixtape often brought a deeper experience to the listener. Whether it was an expression of love, passion or nerdiness. A playlist tends to operate much more at a surface level. This changes the dynamics of consumption. A playlist doesn’t require active listening. Its like drive-time radio. A backdrop to life.

    A playlist is often found, again rather like tuning into a radio station. It is usually a more passive consumption experience. The audience has less invested in it.

    Playlists and mixtapes business models

    This difference in attitude helps explains how music changed in fundamentally in business model. When you’re more passive, you don’t need to own your music.

    You don’t mind if tracks disappear due to licencing disputes. Music becomes a utility that you pay for each month. In this respect Spotify looks a lot like the post-war Rediffusion service.

    It’s an operating expense rather than a capital outlay for young consumers. It facilitates algorithm as taste maker which leads to a reductive path. Apple Music has tried to keep away from this. They’ve got specialist curators in niche genres. Want to hear the best of bluegrass and outlaw country? Apple Music likely covers you better than Spotify.

    If I am following your playlist, it opens up opportunities for payola. Artist brands become less important than a steady stream of releases in popular genres. Music plugging becomes an arbitrage play; streams versus promotional costs RoI. Traditional artist development no longer makes sense. Instead you end up with a model that looks closer to a fast-failure production line. More on media related topics here.

  • Attitudes to immigration + more

    Chinese attitudes to immigration. Some really interesting interviews done by Inkstone. Inkstone is part of South China Morning Post. Whilst the attitudes seem shocking, you do see them mirrored in other monocultural countries. The monocultural country has a very strong sense of self. In China this is exasperated by Han nationalism which explains Chinese attitudes to immigration. In Japan, despite a demographic crisis, attitudes to immigration has meant that the country has focused much more on robotics to solve the human labour deficit beyond manufacturing.

    Marketing in times of upheaval | LinkedIn – cites Beeston’s Law and then fulfils it

    The 1970 Osaka Expo: Looking back at the past to gauge where Japan sits in the present | The Japan Times – some of these pictures are fascinating

    SMS In Emergency Situations: SF COVID19 Updates Via SMS | Forrester Research – mature platforms work well

    Coronavirus Is A Headwind For Search Advertising, But The Outlook Remains Promising – not a terribly surprising analysis given Baidu’s recent financial performance in the Chinese New Year period

    Innovation of the Day | Heineken – alcohol free beer aimed at drivers without running the risk of drunk driving

    Augmented-Reality Startup Magic Leap Is Said to Weigh a Sale – Bloomberg – interesting that Johnson & Johnson are mulling an investment in Magic Leap

    Introducing Fluent Devices – System1 Group – is it fashion or is it a lack of effectiveness?

    cyberpunk « Adafruit Industries – Makers, hackers, artists, designers and engineers! – great series of posts on cyberpunk and its impact on culture

    Innovation of the Day | Time – letting exhiibition attendees get some sense of the experience involved in the 1963 civil rights march on Washington DC and experience Martin Luther King Jr’s ‘I have a dream speech’. VR’s real power to engage audiences is emotional experiences rather than storytelling in the way that we usually understand it. More related content here

    Persona Spotlight: Generation X – GlobalWebIndexWhile younger audiences are actively trying to regulate their digital activity – nearly 3 in 10 millennials and Gen Zs track their screen time each month – only 1 in 5 Gen Xers have done the same. Another possible reason is that, compared to Gen X, younger age groups are now using social media more passively. When on these sites, 4 in 10 Gen Zs fill up their spare time or search for funny content, while Gen Xers still flock to their social accounts with a greater emphasis on socializing. – this bit feels like they’re throwing hypotheses against the wall, planners pick your favourite

    In February Smartphone sales in China Crashed more than 50% – Patently Apple – not terribly surprising, Apple’s increase in iPad sales probably didn’t compensate for the drop

    The Public Interest and Personal Privacy in a Time of Crisis (Part I) – Google Docs – translation of a Chinese blog

    Is busy the new stupid? – hustle porn etc.

    SoftBank Vision Fund’s Rajeev Misra: 18 months will prove I’m right | CNBC – it will be interesting to see how this plays out

    Measure your distinctive brand assets | Ehrensberg-Bass Institute for Marketing Science – well worth downloading and reading (PDF)