Ged Carroll

Category: london | 倫敦 | 런던 | ロンドン

Why London?

First of all I live in London, I put down my roots here because of work. Commuting from the outside towns into the city takes a long time. People only tend to do that when they don’t have to come in every day or getting their kids into a good school is important for them.

Secondly it is an area distinct from the rest of the UK, this is partly down to history and the current economic reality. It is distinct in terms of population make-up and economic opportunity. London has a culture that is distinct from the rest of the UK, partly due to its population make-up. Over 30 percent of the city’s inhabitants were born in another country. From music to fashion, its like a different country:

  • As one women’s clothing retailer once said on a news interview ‘The further north you go; the more skin you see’.
  • The weekend is a huge thing outside the city. By comparison, it isn’t the big deal in London. The reason was that there were things you could enjoy every night of the week.
  • You can get a good cup of coffee
  • The city was using cashless payments way before it became universal elsewhere in the country
  • The line has extended into politics. London opposed Brexit. London, like other major cities it is one of the last holdouts of Labour party support in the 2019 UK general election

London posts often appear in other categories, as it fulfils multiple categories.

If there are London subjects that you think would fit with this blog, feel free to let me know by leaving a comment in the ‘Get in touch’ section of this blog here.

  • Dance Music Industry

     Many dance music labels have closed down, particularly those owned by the majors like Strictly Rhythm and Credence. Cream runs festivals and restaurants rather than clubs and looks to Latin America and Eastern Europe for growth, Home is looking to be let out as retail space and the giant screen on the side of the building sits there in darkness

    – Young people are listening to rock now, yes they are but they also have varied taste – which is why dance music festivals are doing well

    – People want live music, the amount of live music venues in the UK dropped way below what it should have done and it is good to see it come back

    – People want R&B, R&B has always been popular

    – The dance music scene has stagnated, much of it has and UK record labels have been guilty of churning out more rubbish than most. The mash-up is a classic sign of creative bankruptcy in the industry and Hoxton’s tastes do not play well thoughout the rest of the UK. I cannot remember the last record I bought from a UK label, I suspect it was probably this time last year. I have however, kept buying imported records from the US and Europe

    – US labels like Nervous, Guidance or even going back to Trax Records and DJ International, survived in a hostile home market by selling abroad, why can’t the UK labels

    -US labels on the west coast are surviving an onslaught on to their scene by police using draconian crack house laws to shut the parties down and send organisers to jail for ten years, they are still making good music and selling records worldwide successfully

    – Young people are drinking and not doing drugs: that’s why cocaine seizures are up, MDMA is plentiful and cheap

    There are labels that are thriving: Defected is licensing American content from the likes of Miguel Migs. While there is much of the input like Junior Jack that is not my cup of tea you have to hand it Simon Dunmore that he is managing to walk the line between quality and commercial success for his label

    AATW – all around the world. A label based in Blackburn, Lancs that realised what Pete Waterman discovered twenty years ago. You can run a record label on single sales. Like Pete Waterman the records are well produced tat that know their target market really well. They are down market and the listeners are disparaged as ‘Northern Pill Monkeys‘ by London based record executives, and their acts are criticised as ‘a plumber with a tired lap dancer’ but they are getting out there and buying the singles.

    I personally don’t believe that you have to provide customers with a ‘crap’ product, that a well crafted one will sell, but you have to know your marketplace. Many of the tastemakers within the industry have lost sight of that and need to move on.

    One person that seems to have it right (all be it on a small scale) is my friend Nick Lawrence’s label Altered Vibes that has gone from strength to strength by not compromising on quality and developing its artists. Something that is hard to do when the majors like EMI are dropping 30 per cent of their rostered artists in one fell swoop and putting less and less each year into development. More media industry related posts here.

  • Science Museum with my Dad

    Mission to the science museum

    My parents came down for the weekend. While my Mam was content to chill out and do some knitting whilst listening to Daniel O’Donnell slaughtering country and western standards, my Dad and I were at a loss for something to do. Having been told by my friend Kirsty who has a little boy that the Science Museum has free admission, I had a brain wave.

    Steam power

    My Dad is a mechanical fitter by trade and we spent about two hours in the Science museum finding out about the development of the steam engine and the rise of the internal combustion engine. We found out that James Watt did not invent the steam engine (our school teachers lied to us) but improved on existing designs. We took a brief break and then pushed into the space section and then on into the modern world with everything from a Mills & Boon novel to an transgenic sheep proteins (derived from their milk). So far so good, the digital section did not impress, despite its architectural scale, but the aviation gallery got a big thumps up from Pops.

    When he comes down to pick my Mam up next week, we hope to go back to explore more of the Science Museum. By that time the Science Museum guidebook will have arrived and help us make more out of the visit, when we manage to get another visit in.

    Thameslink

    The journey home to Luton however was a bit of a trauma with Thameslink trains shutting down their service completely. I am thankful that my commute usually isn’t that traumatic. We had to get home via Milton Keynes (a soul less bit of urban planning) and it took us four hours. Once you get off the rail network the public transport outside London is poor. More related posts here.