Category: media | 媒體 | 미디어 | メディア

It makes sense to start this category with warning. Marshall McLuhan was most famous for his insight – The medium is the message: it isn’t just the content of a media which matters, but the medium itself which most meaningfully changes the ways humans operate.

But McLuhan wasn’t an advocate of it, he saw dangers beneath the surface as this quote from his participation in the 1976 Canadian Forum shows.

“The violence that all electric media inflict in their users is that they are instantly invaded and deprived of their physical bodies and are merged in a network of extensions of their own nervous systems. As if this were not sufficient violence or invasion of individual rights, the elimination of the physical bodies of the electric media users also deprives them of the means of relating the program experience of their private, individual selves, even as instant involvement suppresses private identity. The loss of individual and personal meaning via the electronic media ensures a corresponding and reciprocal violence from those so deprived of their identities; for violence, whether spiritual or physical, is a quest for identity and the meaningful. The less identity, the more violence.”

McLuhan was concerned with the mass media, in particular the effect of television on society. Yet the content is atemporal. I am sure the warning would have fitted in with rock and roll singles during the 1950s or social media platforms today.

I am concerned not only changes in platforms and consumer behaviour but the interaction of those platforms with societal structures.

  • August 2026 – the more than eleven edition

    August 2026 introduction – (37) 

    Welcome to the 37th edition of my newsletter or as a bingo caller would say ‘more than eleven’.

    37

    37 in Chinese is largely considered positive as a number, based on its component numbers of 3 and 7. On the Chinese internet 37 is used to say thank you because of its similarity in sound to the English phrase.

    37 seemed appropriate given the searing heat we’ve experienced across Europe during July and August.

    It was roughly this time three years ago when I started writing Strategic Outcomes. I was burnt out working far too many hours at an ad agency due to being massively oversold (150 – 200% utilisation rate during a typical week with new business pitches on top) to clients.

    So took myself to Paris for a short break to recharge, truth be told it took until the end of the year for me to recharge fully.

    I watched programmes, finally finished a great book I had been trudging through for months, while enjoying coffee and cake in the lobby of the George V Hotel.

    The first issue was written in 20 minutes and I didn’t think I would still be writing some three years later. Since then over 600 people have subscribed, I had no expectations – so it was definitely more than I had expected and I am deeply appreciative that it gets a glance, let alone a read; from so many people in such attention-poor times 🙏.

    Over time Strategic Outcomes has developed a format and a voice, but now takes longer to write despite me being more practiced in writing each episode. Secondly, the length of the episode doesn’t equate to the amount of time that it takes to write.

    Onwards.

    The soundtrack this month isn’t the usual track selection or mix, but a podcast from the European Space Agency highlighting sounds that are literally out of this world. If that isn’t your cup of tea then I also offer this live concert recorded in the US by Cabaret Voltaire for radio station KEXP. Think of it as a modern-day version of the BBC’s Peel Sessions.

    New reader?

    If this is the first newsletter, welcome! You can find my regular writings here and more about me here

    SO

    Things that I’ve written

    Back in 2015, Stephen Waddington invited people to submit a media diary based on a common set of questions. I revisited during the middle of the CoVID lockdown when we were in peak-Zoom usages. And I decided to revisit again this month to compare and contrast with my past installments.

    Apple is launching a TV adaptation of Neuromancer, William Gibson’s seminal novel and you can see the trailers online. I had been been thinking a lot about Gibson recently from the saturation of the Neo Tokyo aesthetic in mainstream culture to the surreal nature of Silicon Valley which sounds more like Wintermute at every turn. So I curated some video interviews that Gibson had done down through the years; as well as miscellaneous things from around the web.

    ICYMI – Top five shares on LinkedIn

    1. I wrote about Aston Martin putting up for sale the majority of its non-automotive naming rights. It’s an important issue for marketers, but the attraction of the Aston Martin brand for people interested in cars had my post seen much more widely than I expected.
    2. I posted a video where Les Binet discussed brand loyalty from a marketing science perspective and the trap marketers face by focusing on the loyalty of generation-Z customers.
    3. A breakdown of the BBC Research & Development’s research report on the state of the social Internet.
    4. Michael Farmer triangulated advertising agency problems: big workloads, plummeting fees, clients trapped in low growth or de-growth.
    5. Temporal mismatches can affect corporate innovation as much as it can affect hedge fund strategies like Leopold Aschenbrenner’s Situational Awareness LP.

    Books that I have read

    Like many people I read F. Scott Fitzgerald’s The Great Gatsby at school. At the time I was uneasy at the class interpretation of the book as a portrait of a tragedy set in 1920s excess. Re-reading it years later, I thought of it more as a clash of antiheroes dripping of prejudice and latent racism. The book is full of grifters and cads. What makes the narrator a more likeable at a surface level is that he’s a more inexperienced grifter who hasn’t managed to exorcise his own conscience at the time of the incident. Now, more than ever, it feels very of our times.

    It was unintentional that I read Regime Change: Inside The Imperial Presidency of Donald Trump in tandem with The Great Gatsby. Maggie Haberman and Jonathan Swan craft a book that is a blow-by-blow account of the second Trump administration over its first 18 months in office. It’s gossipy without the analysis one got from Bob Woodward’s books on previous administrations. What struck me was the illusion of coherence.

    A lot was made in the media about the publication of Mandate for Leadership The Conservative Promise Project 2025 Presidential Transition Project published by The Heritage Foundation as a plan for government. But Haberman and Swan’s book paint a picture of a government improvising it up as they went along with appointees who were often drowning in their roles. One thing stuck with me more than anything else was how partners like GCC nations and Jeff Bezos who courted the administration were bilked. This didn’t seem to be out of malice but incompetence and ineptitude.

    Finally in a time of a thin skinned administration taking action against its critics, it’s a wonder Haberman and Swan haven’t been embroiled in legal disputes.

    Things I have been inspired by.

    I was thinking a lot about the rise of betting culture, from the rise of Robinhood and crypto wallets or prediction markets to ‘trading courses’ promoted extensively across social media. IPSOS encapsulates the why elegantly with its trend of Nouveau Nihilism. It becomes a rational response to constrained circumstances.

    Luxury brand CHANEL has been doing some interesting fireside chats in their CHANEL Connects project. I was particularly interested in their interview with Thomas Bangalter. He framed Daft Punk in terms of an experiment in anonymity. They were initially inspired by Detroit’s Underground Resistance but that evolved into cinematic science fiction.

    Bangalter’s critiqued streaming media as eroding the ritualistic and symbolic power of listening space. Bangalter avoided generative AI because it reduces art to verbal prompting and pre-calculated outputs. He considered creation as an intuitive, non-verbal journey; bypassing the process misses the entire point of art. More from Bangalter here.  

    Chart of the month. 

    Growing up we were a family who read. My Mum was the first person to sit the Irish leaving certificate and civil service examinations in her family. My Dad, left school at 13 to serve an apprenticeship, but had a love of books. One of the books we had was an account of The Kennedy Family by Joseph Dinneen.

    In the book there is one section where Joseph Kennedy Sr talks about the inciting incident that encouraged him to sell all his shares. Kennedy goes to get his shoes shined near his office. The boy shining his shoes immediately took him for an investor and began offering specific stock picks and market tips.

    Kennedy then realised if a shoeshine boy knows as much about the market as he did, then it was time for him to sell up. Kennedy goes back to his office, closes out his portfolio and starts to short the market in advance of Black Thursday. How true the story was is a whole other story, but the ‘late’ buyer market theory underpinning it is sound enough. When those with the least disposable income are highly leveraged in the market, it means that the pool of ‘new buyers’ no longer exists to push prices higher.

    late buyer market

    Thinking about Joseph Kennedy’s story I dived into how Americans hold wealth. On the face of it Kennedy’s rule doesn’t seem to be coming through at the moment. However there might be several other factors:

    Things I have watched. 

    Many people of heard of Akira, which was originally a manga and then an anime film written and directed by Katsushiro Otomo. Later on Otomo wrote and designed Roujin Z that was directed by Hiroyuki Kitakubo. Roujin Z on the surface of it is social satire that addresses concerns about caring for the elderly population in the early 21st century, there are concerns about technology and the possibility of a resurgent military being authoritarianism.

    The film taps into the phenomenon of social hospitalisation for the elderly where their families would sign them away to hospitals once they were admitted and refused to take them back. This happened because care homes carried a stigma that hospitals didn’t. This stigma came from the post-war collapse of the le system, where the eldest son and his wife lived with his elderly parents taking care of them to the end.

    Stylistically, Roujin Z is interesting for its use of mixed media techniques including live film and photo-reference photogrammetry layout. This was part of a stylistic movement in anime called 90s realism. It includes Perfect Blue, Tokyo Godfathers, Patlabor 2: The Movie and Jin-Roh: The Wolf Brigade.

    Watching it 35 years after the film was produced was interesting in terms of the foreshadowing within the film.

    • At the time Sony was secretly designing the Apple PowerBook 100 for Apple. Its design appears in the film with a Sony logo. The film launched in cinemas at least a month before Apple launched the laptop.
    • Sony appears all over the film and throughout the hospital equipment. It foreshadows Sony’s pivot into elderly care and its abandonment of its iconic consumer electronics business.
    • The film shows a ubiquitous, always-on network with messaging and what we’d now call artificial intelligence. This was way before the web was commonplace.

    The film matches all these heavy themes with great physical comedy.

    Useful tools.

    Copynpaste is a single purpose website that acts as an intermediary moving copy between applications. It’s more of a lifesaver than you realise and works just as well on mobile devices as it does on desktop.

    Googler is a cleaner way of experiencing search. Back when dinosaurs roamed the earth and people came into work hungover, Google was separated from search rivals like Infoseek, Excite and AltaVista by its clean interface. Now you have lots of things on a search engine results page fighting for your attention. If you install Homebrew on your computer, you can then install Googler which gives you the Google search experience without distractions in your terminal window.

    The sales pitch.

    I am a strategist who thrives on the “meaty brief”. The kind where complexity, business goals, and human culture collide, requiring synthesis into actionable insights.

    I have a decade-plus of expertise across the UK, EMEA, and JAPAC, I specialise in bridging the gap between high-level strategy and creative execution. I have been embedded within Google Cloud’s brand creative team, where I helped navigate the “messy steps” of global pivots with the rapid rise of Gen AI. Following the completion of this engagement, I have continued to partner with agencies and founders on high-impact projects. My recent freelance work includes architecting the brand narrative for a fast-moving startup, driving strategic creative for new business pitches, and developing a dynamic sports partnership activation.

    I focus on what works: balancing long-term brand growth with short-term sales. I don’t just write presentation decks; I build campaigns that actually ship. I’m hired to develop, or strategy QA their ideas before they go live, helping leadership teams avoid expensive mistakes. I prioritise commercial reality, smart budgets, and measurable results over cosmetic solutions.

    How I help leadership teams:

    • Strategy QA: I put clarity into complex roadmaps before you commit capital.
    • Cultural Translation: I bridge the gap between technical infrastructure and human adoption, across EMEA/JAPAC.
    • Commercial Grounding: I build strategy for campaigns that ship, prioritising measurable ROI over “hype” metrics.

    The Strategic Toolkit:

    • Brand & Creative Strategy: From B2B infrastructure to luxury travel.
    • AI-Enhanced Planning: Literate in Google Gemini and prompt engineering to accelerate insights and creative output.
    • Modular Strategic Leadership: A proven track record across Tech & SaaS (Google Cloud, Semiconductors), Consumer Goods (FMCG, Beauty, Health), and High-Interest Categories (Luxury, Sports Apparel, Pharma).

    I am an operator who reads—using a deep archive of industry expertise to ensure your next pivot isn’t just “new,” but actually sustainable. If you have a challenge that requires an all-in, hit-the-ground-running strategic lead, let’s talk.

    now taking bookings

    More on what I have done here.

    bit.ly_gedstrategy

    The End.

    Ok this is the end of my August 2026 newsletter, I hope to see you all back here again in a month. Be excellent to each other, stay cool and enjoy the well deserved bank holiday.

    Don’t forget to share if you found it useful, interesting or insightful as this helps other people and the algorithmic gods of Google Search and the various LLMs that are blurring what web search means nowadays.

    Get in touch and if you find it of use, this is now appearing on my blog,  Substack as well as LinkedIn.

  • 2026 media diary

    The 2026 media diary post is an update and a reflection on past posts that I have written in the same vein. The first one was inspired by a request that Stephen Waddington put out in 2015.

    Untitled

    I wrote the next iteration during CoVID. I was working from home in a role where it was getting hard for me to continue to add value. I had done much of the building capability I had been brought in to do and the business was in stasis following a purchase by a larger firm. I finished up at the business and moved to do strategy for the global launch of Wegovy.

    My 2026 media diary evolved.

    Messaging mayhem

    I still rely on various messaging platforms. At the moment its:

    • Google Meet
    • KakaoTalk
    • Slack
    • Microsoft Teams
    • WeChat
    • WhatsApp

    Thankfully I only use Zoom for the occasional webinar call now. I switched companies during lockdown and moving from working on Zoom, to working on Teams was a huge improvement in cognitive load.

    Zoom has migrated for lots of organisations from a video chat platform to a video broadcast platform.

    Skype was finally killed off by Microsoft, though the writing was on the wall long ago, due to poor product management. Any recommendations for a better VoIP client to deal with calling US businesses gratefully received. Skype had its niche and it is missed for it.

    The most notable update to my 2026 media diary is what’s missing. I no longer use Netflix. Instead, I save the subscription fee and buy DVDs and Blu-rays of films that I actually want to watch.

    Apple TV’s smaller collection of high quality series has more appeal as does some of Amazon Prime Video’s tentpole productions.

    The media remains the same

    I have been a subscriber of the US edition of Wired magazine. Back then it worked because I had a lot of technology clients, for a long time I had no technology clients and then I did two engagements: Google Cloud and Arm Semiconductor.

    The Financial Times is the best in a rather poor landscape of newspapers. Yet it sill proves surprisingly handy.

    I still love Monocle and Japanese style magazine HailMary.

    RTÉ is still a connection to home. In my 2026 media diary I rely even more heavily on podcasts rather than the BBC. My podcast tastes tend to run professional, current affairs analysis or financial news including:

    • Asia Geopolitics by The Diplomat
    • Asia Stream by Nikkei Asia
    • Independent Thinking by Chatham House
    • KBS World Radio News
    • English News – NHK World Radio Japan

    A brace of podcasts by Bloomberg, CNBC, CSIS, the FT, Monocle and Reuters. I still keep an eye on the best part of 1,100 online information sources using Newsblur.

    Social disengagement

    While I will occasionally log on to Twitter (I resolutely refuse to call it X) to browse the lists that I have curated on the platform for certain subjects such as China analysis, my use of micro-blogs in general has decreased massively. My posts on Instagram are occasional too.

    I still use LinkedIn for work and have a couple of dark social communities across Slack and WhatsApp that I check in on daily. I am now a member of a WhatsApp group for the people living in my block of houses.

    Brands that cut through

    It has been fascinating to watch ASOS’ pivot to attempt brand building. While the cost cutting has taken the headlines, and the gross merchandise value continued to decline, consumers are at least taking a look at the platform again. Secondly, they have managed to reduce their reliance on discounts.

    I wish that they would double down on their brand building efforts through, creative like this needs time to burn in.

    I have a strangely deja vu relationship with brands at the moment, direct to consumer brands like Suri or Tallow + Ash advertising remind me a lot of the JML screens in Wilko and Woolworths, slavishly copying the show-and-sell concept. Other brands like Gymshark feel very similar to QVC and IdeaStore. Brands have managed to partner with creators to extend shopping TV onto YouTube. They have built mental availability in the must-avoid category inside my head.

    Quality still counts. My wardrobe changed a bit since my last media diary. If you told my 2020 or 2015 media diary self that I would have had Nike ACG and Patagonia in my wardrobe I would have been surprised. My 2026 wardrobe now has Patagonia high loft fleeces and Nike ACG Goretex shells, the reason was quite simple. Nike and Patagonia were just building them better. I had a zip, not the zipper, but the zip come off my North Face jacket in my hand. Any North Face item I now own is well over ten years old. I still like Carhartt but wear more Gramicci climbing pants for comfort.

    Finally, I have been disappointed by Sony’s retreat from consumer electronics, it felt like a personal betrayal. Sony’s self-described purpose is ‘fill the world with emotion, through the power of creativity and technology’ yet it dropped consumer electronics and hi-fi components for Sony old peoples homes and life insurance.

    Previous editions of my media diary

    2020 media diary – the CoVID pivot back to desktop.

    2015 media diary – at the time I was on the cusp of living a post-PC life. My Mac was only really used for content creation.

  • Consumer grievance: a marketers atlas

    Writing about consumer grievance came from a couple of things. I was watching a lecture by professor Robert Reich at Stanford and it reminded me of Edelman‘s 2025 Trust Barometer report ‘Trust and the Crisis of Grievance‘.

    Edelman’s annual report is a barometer, a global snapshot of who and what consumers trust. As long as I can remember Edelman’s report into trust of institutions has been in decline, but the 2025 report highlighting consumer grievance marked a perceived acceleration.

    TL;DR

    • Why it matters: Most brands treat consumer complaints as a customer service headache to be managed by a chatbot. That is a massive commercial misstep. Grievance is not an admin burden; it is a raw, unvarnished map of what your audience actually cares about.
    • What is changing: We are seeing the rise of a distinct global grievance culture. When trust in traditional institutions wobbles, consumers direct their frustration at the brands they buy from. If you look closely at these grievances, you see the exact gaps where your business is failing to deliver on its promise.
    • The big picture: Two distinct trust economies now exist. There is the formal, corporate version presented in annual reports, and the real-world version lived by your customers. When the gap between the two grows too wide, the goodwill sitting on your balance sheet evaporates.
    and i, for one, will join in with anyone - i don’t care what color you are - as long as you want to change this miserable condition that exists on this earth ~ malcom x (image 2)

    Global grievance

    In the report Edelman posited that trust in institutions was no longer a universally shared civic resource. Around the world, it had become a luxury commodity that is heavily segmented by income and social class.

    Putting my cards on the table

    You the reader should question my interpretation as an enquiring mind. With that in mind, it makes sense to understand my starting viewpoint as I started to go through the subject matter. I agreed with the essence that Edelman’s research has captured. And the bifurcation of the economy is being baked into marketing plans that I have worked on over the past few years.

    I have my doubts about their methods. I believe that their motives are good admittedly moderated by commercial considerations, but I did find myself questioning the techniques used and data transparency.

    I set out to find high quality research that validated, or challenged the concept of consumer grievance.

    Edelman’s original approach was triggered by the 1999 ‘Battle of Seattle’. The survey’s structural model was built upon the mid-1990s theories of Francis Fukuyama. Fukuyama argued that institutional trust was primarily driven by upward mobility, structured legal systems, and guaranteed economic prosperity. 

    The Trust Barometer’s original respondents was restricted to “opinion leaders” or “opinion elites”. That mean’t highly affluent college-educated people aged 35 to 64 with high media consumption and active engagement in public policy. The demographic that prospective Edelman clients would sit neatly within.

    Technological and economic change saw Edelman move to a general population sample. They also moved from telephone interviews to online surveys. The number of respondents increased from 1,300 in five countries to 36,000 respondents.

    2020 saw a change in survey design that broke the idea of ‘to do what is right’ into two attributes:

    • Competence
    • Ethical behaviour

    Business did well on competency but less well in ethical considerations. Government, media and NGOs were viewed as lacking in both . Edelman compensated for this by studying proximal trust and employee trust.

    Edelman introduced the concept of ‘trust brokering’ – an organisations capacity to support dialogue and bridge social divides.

    The Genesis of Global Grievance

    With a flair for drama and storytelling Edelman’s Trust Barometer links the decline of trust and the genesis of consumer grievance back to the 1999 ‘Battle of Seattle’ protests against the World Trade Organisation ministerial conference held in the city. While a wide coalition of both left and right political figures, NGOs, organised labour were there to protest against unfettered globalisation the wheels were already in motion.

    …globalization is not new, but that the present era of globalization, driven by competitive global markets, is outpacing the governance of markets and the repercussions on people. Characterized by “shrinking space, shrinking time and disappearing borders”, globalization has swung open the door to opportunities. 

    Breakthroughs in communications technologies and biotechnology, if directed for the needs of people, can bring advances for all of humankind. But markets can go too far and squeeze the non-market activities so vital for human development. Fiscal squeezes are constraining the provision of social services. A time squeeze is reducing the supply and quality of caring labour. And an incentive squeeze is harming the environment. Globalization is also increasing human insecurity as the spread of global crime, disease and financial volatility outpaces actions to tackle them.

    The above quote came from the introduction to the 1999 Human Development Report (HDR) by the United Nationals Development Programme (UNDP).

    As the 1999 HDR introduction alludes, by 1999 globalisation was not new and was already happening from Japanese consumer electronics to Korean shipbuilding. Instead globalisation was moving at a pace that institutions were no longer able to keep up with it or control it.

    This viewpoint is supported by Professor Reich’s lecture on the factors driving the rise voter interest in populist leaders like President Trump. Reich outlines a four decades-long trajectory marked by:

    • The decoupling of productivity from wages. The US Board of Labour & Statistics paper Understanding of the labor productivity and compensation gap, considers the gap to have opened up in the 1970s. The fissure since the 1970s was also documented by the Economic Policy Institute’s work The Productivity-Pay Gap. The Federal Reserve Bank of St. Louis published research showed how corporate profits decoupled from employee compensation from the early 2000s on.
    • The Reagan era erosion of labour bargaining power. Similar erosion also took place in the UK under the Thatcher government.
    • The concentration of corporate market power. Deregulation from the 1980s on, allowed the financial and corporate sectors to become politically and economically dominant. Reich argued that this created a system average citizens perceived as rigged to favour corporations and big banks over ordinary workers. The 2008 bank bailout while ordinary citizens faced foreclosures cemented this perception. This isn’t only a western issue. 44% of China’s workforce now work in the gig economy.
    • The resulting financial exhaustion of the working and middle classes. American families employed three coping mechanisms to maintain their standard of living. First, they simply worked longer hours. Second, women entered the paid workforce in massive numbers, creating the dual-income household out of necessity. Third, the other measures reached their limit, they tapped into the equity in their homes, until 2008

    The US Bureau of of Labour had three hypotheses for factors driving the labour compensation – productivity gap:

    Globalisation: Increased offshoring shifted production and service activities to other countries. Consequently, income that might have previously gone to domestic workers was reallocated to intermediate purchases and foreign labour.

    Increased Automation: As technological automation increases, the overall need for human labor input drops. When machines replace workers, the share of income dedicated to capital naturally increases relative to the share dedicated to labor.

    Faster Capital Depreciation: Modern business capital, such as computer hardware and software, degrades or becomes obsolete much faster than the heavy machinery used in previous decades. Because these assets must be upgraded or replaced more frequently, a higher share of industry income must be diverted away from wages to cover these ongoing capital replacement costs

    When the report explored specific industry sectors such as electrical power generation and supply, the divergence correlated with a fourth factor, deregulation. This happened to the US energy market in 1992.

    The Energy Policy Act, 1992 created domestic competition. Incumbent local monopolies became more efficient or went under. Productivity was achieved through new technology and aggressive cost-cutting including layoffs. Workers produced far more value per hour, but because the company is fighting to keep prices low to compete, wages didn’t rise at that same rate.

    Two trust economies exist

    But all of these factors didn’t impact across society equally. What Edelman’s Trust Barometer acknowledged, but didn’t highlight at the time was the existence of two trust economies existing in the same space, but for different people.

    The top quartile of income earners trusted the system. The bottom quartile didn’t. This was mirrored in findings by other organisations, notably the OECD’s Government at a Glance 2025 report and UNU WIDER Trust in a changing World 2025 paper.

    There is a decline in governmental trust documented by the Pew Research Center Public Trust in Government: 1958-2025 – a consistent downward trend much longer than 1999, back as far as the mid-1960s for the American public, much earlier than Edelman’s work seems to suggest.

    Business and consumer grievance

    Edelman posits that businesses have become more trusted than governments. It’s a comforting anchor for a business that sells corporate reputation work. The reality may be different. The decline in government trust has merely set a very low bar according to research by Bentley University and Gallup. The rise of zero-sum thinking exemplified by Zero-sum Thinking and the Roots of US Political Differences paper for the National Bureau of Economic Research (NBER), will sweep business attitudes along as part of systemic distrust. The Carnegie Endowment for International Peace posits that this zero-trust thinking has brought conflict within the US itself and driven protests around the world – globalised consumer grievance.

    The Bridging Divides Initiative (BDI) at Princeton University documented an increase in political violence risk factors across the US mirroring the 1960s and early 1970s . German insurance company Allianz warned that this behaviour represented a risk to large businesses across their operations and supply chains. This is outside and separate to government military actions like the US – Iran conflict or the Russian invasion of Ukraine.

    There are problems inside organisations as well. Employer trust has been in decline according to Edelman. The causes are diverse and amplify consumer grievance:

    • Globalisation
    • Automation and LLMs
    • Economic conditions

    Managers are supervising but failing to manage. They struggle to coach or develop their staff sufficiently.

    Media sector consumer grievance

    The media business is seeing the impact first hand. Fear of deliberate deception is at the cente of the World Economic Forum Global Risks Report for 2025. That fear is driving growing divisions in society and between societies, further feeling consumer grievance. According to The Reuters Institute Digital News Report of the same year these concerns about deception are driving audiences away from ‘legacy’ media companies to platforms of editorialists and opinion formers across podcasts, YouTube and other social platforms.

    Edelman claims that this audience migration is down to beliefs about the motivations of media organisations. 75 percent of high-grievance respondents believe news organisations would rather attract a big audience than report what people actually need to know. 67 percent believe the media prefers to support an ideology over informing the public.

    On slight glimmer from Edelman’s data was that trust in traditional media dropped by four points, versus trust in search engines dropping by five. But that delta will be cold comfort to media executives watching their business being eaten alive by technology platforms.

    Goodwill on the balance sheet

    Goodwill on the balance sheet of a company tries to capture brand value, the value of customer relationships and wider stakeholder trust within a business. PwC research provided some empirical evidence to support RoI on the stakeholder trust component of goodwill. But Edelman overreaches in its 2026 Edelman Trust Barometer Special Report: Brand Growth in an Insular World report to try and do the same with brand value. In this case, Edelman tries to use survey responses, rather than observed behaviour data and the scientific method to try and overturn several decades of validated marketing science research.

    Consumer grievance: so what?

    It’s very easy to ignore consumer grievance as ethereal fiction or background noise. Being part of the solution can end up being part of the problem.

    Brand purpose real talk

    For some brands it make sense to pick a side, but if you do commit to the brand purpose. It may cost you, but if you really have a brand purpose, or ‘higher purpose’ as David Aaker called it, then the 30% opportunity cost in marketing effectiveness is worth it in your calculus.

    Effectiveness expert Les Binet’s two question test on brand purpose makes a lot of sense:

    • Would you still do it if you couldn’t publicise it?
    • Would you still do it if reduced your long term profits?

    If the answer to either question is no, then it’s not purpose driven.

    Brand purpose can be a struggle to retrofit. After the success of Dove being re-positioned from a functional product to the ‘real beauty’ positioning; Unilever looked to replicate the effect with varying degrees of success.

    You also need to be aware of brand purpose not being global. Apple, Meta and Nike have made decisions in Asia that are vastly different to what they do in western markets. There is no coherence or congruency in their world view. Neoliberal universal values died in corporations long before they were devalued in mainstream western political discourse. Both the online world and social media will shine a spotlight on this difference. This perceived corporate hypocrisy will increase consumer grievance and reduce consumer trust in the brand to do ‘the right thing’.

    You could make the argument that Apple, Meta and Nike all fail Binet’s brand purpose test.

    Outside of geopolitical differences, even the most basic demographic differences can be landmines for brand purpose. It’s an accelerant for consumer grievance and one that marketers at the likes of Unilever and P&G have either ducked, or got tonally wrong.

    Patagonia is arguably the most prominent brand purpose led brand, yet it faces a slew of dilemmas. You could argue that Patagonia’s self description as being ‘a work in progress‘ is at best a temporary fix with an uncertain sell-by date during a time of consumer grievance.

    Brand promise

    The brand promise is the idea of what a consumer can expect from the product or service that they are purchasing. There is a temptation to reduce costs. You see this with automated services and reduced sized packaging.

    If you are transparent about the trade-off consumers will self-select and be fine with it. Telecoms companies have been doing this for years.

    • Plusnet – BT’s no-frills ISP
    • Voxi – Vodafone’s self service brand that comes at a discounted price

    Does your consumer journey penalise behaviour instead of rewarding loyalty. if it does, that will fuel consumer grievance. Audit these friction points and act on them. Fix underlying operations-related grievances and the customer lifetime revenue will take care of itself.

    You can more content on consumer behaviour here.

  • June 2026 newsletter, issue 35 the ‘jump-and-jive’ edition

    June 2026 introduction – (35) 

    Welcome to the 35th edition of my newsletter or as a bingo caller would say ‘jump-and-jive’. The phrase feels like an anachronism. It likely came from 1930s and 1940s African American culture. A portmanteau of ‘jump blues’ music and high-energy ‘jive’ dance style of the era. Jive was also used to describe related slang. All of which was popularised by the likes of Cab Calloway.

    https://flic.kr/p/qHrTdv

    This month’s soundtrack is by Dimitri from Paris, recorded at Defected Records. It’s sublime.

    While 35, is considered neutral in Chinese culture; there are aspects of it which bear thinking about. Depending how you read it, it can sound similar to ‘life without’ or ‘life not’. All of which seem appropriate when one thinks about the 35-Year-Old Crisis. Employers in China unofficially have 35 as a cut-off age for hiring.

    New reader?

    If this is the first newsletter, welcome! You can find my regular writings here and more about me here

    SO

    ICYMI – Top five shares on LinkedIn

    1. R/GA‘s concept of intelligent brand systems.
    2. Brands can’t wait for sovereign cloud but have to work with what they have.
    3. The argument over UPF (ultra processed food) is a blunt instrument that ignores the benefits of functional foods, focusing on how things are made, rather than nutrition and what they do.
    4. The need for determination, taste and deciding what matters is as important as AI in advertising planning
    5. Havas research on desirable brands revolving around attraction, attachment and affinity.

    Books that I have read

    Murder on Mt Fuji by Shizuko Natsuki is the story of the Wada family. A multi-generation family tied to a pharmaceutical business. The family patriarch Yohei Wada is killed and the story unravels the mystery of who really killed him and why. The Japanese title of the book references a play by a 1930s detective story author. The mystery plays out as an Agatha Christie novel with Japanese characteristics.

    Things I have been inspired by.

    AI transformation progress

    Stanford HAI have built an online dashboard to track AI-related transformation through economics. At the moment there is still little evidence for a rapid wave of automation in the macroeconomic data, but its definitely worthwhile keeping an eye on for evidence-based analysis as an antidote to hype and speculation.

    Chart of the month. 

    Going back over the IPA’s research into influencer campaign effectiveness, this chart buried in the report caused me to pause. It implies that there isn’t an effective formula for repeatable influencer marketing success.

    https://flic.kr/p/2sk2iWr

    Reading around the chart further, the data is artificially skewed by the removal of campaign data for which no RoI was received at all. That would lower the curve further than it is already.

    Things I have watched. 

    I have been enjoying season two of The Agency, Paramount’s adaption the French series The Bureau about modern-day spies and the dangers of emotional attachment. I can highly recommend both of them. The Agency has a really strong cast with Michael Fassbender playing the protagonist, with Jeffrey Wright and Richard Gere as supporting characters.

    Seeing Richard Gere in the film reminded me to rewatch Red Corner which is a classic murder mystery from 1997, with the plot twist being that it occurs in the go-go era of an opening up China.

    Bai Ling appears as his court-appointed lawyer. Parts of it reminded me of the late 1990s media gold rush into China by Rupert Murdoch looking to expand his then booming satellite TV business, but once the murder trial gets under way it stays into the land of fantasy with an American court room drama projected into a Chinese setting. Ling manages to turn out a great performance given the material that she was working with.

    Useful tools.

    I have been working on a number of qualitative interviews and found MumbleNote an invaluable part of the process. Its key benefit is not having bot join the calls that I have been doing. Instead it works of your Mac’s audio system.

    The sales pitch.

    I am a strategist who thrives on the “meaty brief”—the kind where deep-tech or complexity, business goals, and human culture collide.

    With over a decade of experience across the UK, EMEA, and JAPAC, I specialise in bridging the gap between high-level strategy and creative execution. I was embedded within Google Cloud’s brand creative team, where I helped navigate the “messy steps” of global pivots and the rapid rise of Gen AI. And have recently been helping out agencies and startups in various sectors from narratives, creative platforms and new business pitches to sports partnerships.

    My approach is simple: I use insight and analytics to find the “surprise” in the strategy. Whether it’s architecting an experiential event or defining a social narrative for a SaaS powerhouse, I focus on making complex brands feel human and high-velocity businesses feel accessible.

    The Strategic Toolkit:

    • Brand & Creative Strategy: From B2B infrastructure to luxury travel.
    • AI-Enhanced Planning: Deeply literate in Google Gemini and prompt engineering to accelerate insights and creative output.
    • Multi-Sector Versatility: A proven track record across Tech & SaaS (Google Cloud, Arm Holdings), Consumer Goods (FMCG, Personal Care, Health), and High-Interest Categories (Luxury, Sports Apparel, Pharma).

    I am officially open for new adventures with immediate effect. If you have a challenge that needs a all-in, hit-the-ground-running strategic lead, let’s talk.

    now taking bookings

    More on what I have done here.

    bit.ly_gedstrategy

    The End.

    Ok this is the end of this newsletter, I hope to see you all back here again in a month. Be excellent to each other, stay cool and enjoy the sun when you can. 

    Don’t forget to share if you found it useful, interesting or insightful as this helps other people and the algorithmic gods of Google Search and the various LLMs that are blurring what web search means nowadays.

    Get in touch and if you find it of use, this is now appearing on my blog,  Substack as well as LinkedIn.

  • Omnicom’s Q1 2026 earnings report

    Disclosure: this analysis of Omnicom’s Q1 2026 earnings does not constitute financial advice. It is not a recommendation to buy or sell Omnicom or any other company mentioned in the post. Instead it’s about trying to understand the dynamics underpinning one of the largest actors in brand marketing.

    Red Rose

    The headlines surrounding Omnicom’s Q1 2026 earnings, shows a growth in top-line earnings of 69.2% to hit $6.242 billion. That topline number looks like market dominance following Omnicom’s $13.5 billion all-stock acquisition of IPG.

    Core operations performance

    There is more nuance in the details. I looked at the ‘core operations’ metric to look for signs of momentum. The core operations reporting framework is designed to reflect Omnicom’s, ongoing business by excluding the financial results of businesses that are already disposed of, or, are classified as held for sale on the balance sheet.

    This grew by 6.7% according to Omnicom’s Q1 investor presentation. But 2.7% of that number was due to the decline in value of the US dollar. Omnicom’s actual underlying organic growth sits at 3.9%. This number matters, it peels away the acquired revenue to answer is the core business actually winning more money from Omnicom clients?

    Relative performance

    When you benchmark that 3.9% against their direct competitors, Omnicom sits awkwardly in the middle of a two-tier market.

    Publicis Groupe, who posted robust 6.4% organic growth. Publicis is leading the market because they put in structural plumbing years ago. They acquired Epsilon and Sapient early, built a high-margin moat around first-party data and digital business transformation. They sell complex orchestration that CMOs are currently buying.

    Stagwell is operating without legacy creative baggage; winning frustrated global clients who want digital-first performance.

    Havas continues to lean into its ‘Village’ model. By forcing physical and cultural integration under one roof, they appeal directly to clients who dont want to manage fragmented multi-agency relationships and budgets; even if Havas currently lacks the algorithmic gravity of a Publicis.

    WPP posted a net organic revenue decline of 6.7%. WPP has structural issues in its portfolio of agencies that is currently being addressed with the Elevate 28 plan, persistent client losses, and is overexposed to a stagnating technology sector client base.

    Direction change

    The nature of Omnicom’s revenue is shifting in a way that distorts its apparent size. The holding company is aggressively pivoting toward “principal media buying,” a model where they purchase advertising inventory in bulk, assume the financial risk, and resell it to clients with an undisclosed markup. 

    Omnicom aggressively sunset historic brands like DDB and FCB to hit a massive $1.5 billion synergy target, they prioritised financial speed over operational stability.

    Clients do not buy holding company P&L synergies; they buy specific team chemistry, cultural nuance, and dedicated attention.

    Mashing competing agencies together in highly competitive, over-brokered markets like London, Omnicom triggered client flight. Back before the Interpublic deal, some estimates 60% of Interpublic and Omnicom scopes of work were allegedly already understaffed.

    Omnicom chose to shrink to grow, but in doing so, they actively risked alienating the CMOs needed to fund Omnicom’s pivot into integrated media.

    Accounts well told

    This approach transforms Omnicom from an hourly fee-for-service agency into a media arbitrage focused business. Omnicom’s Q1 2026 earnings relies heavily on gross revenue reporting, which includes massive pass-through media costs, their top-line figures look artificially ‘explosive’ compared to it’s competitors who report on a net revenue basis.

    On a reported GAAP basis, Omnicom’s operating margin dropped to 10.4%, crushed under the weight of $59.4 million in IPG integration costs and $34.3 million in losses from the disposal of non-core assets. Omnicom are relying on adjusted, Non-GAAP EBITA metrics, which ignore the friction of the merger, to show a margin expansion to 14.8%.

    A second distortion is the narrative around the agencies to be sold, on the analyst call John Wren estimated that the agencies being sold had a margin of less than 10%. Which could led those not paying attention to assume that the core businesses would be more profitable; but that may not be the case, despite Omnicom’s leadership’s intention to permanently elevate it’s margin profile.

    Opaque picture

    There seemed to be an uneven performance across geographic territories and business units. At the time of the IPG deal, health was considered to be one of the biggest opportunities, yet, seemed to have a low single-digit organic growth trajectory, outperformed by PR and experiential agencies.

    Omnicom’s gross long-term debt had expanded to $9.977 billion, up from historical norms, as it absorbed IPG’s existing debt load, $1.7 billion in new U.S. dollar notes alongside €600 million in Euro notes to refinance operations and ensure liquidity.

    Every source used in the post can be found in the more information section below.

    More information

    Omnicom Reports First Quarter 2026 Results | Omnicom pressroom & the Q1 investor presentation

    Omnicom Revenue Grows 6.7%, Continues Plotting Sales. – B&T

    Omnicom Group (NYSE: OMC) Q1 2026: IPG merger lifts revenue but trims margins – StockTitan

    Omnicom raises business exit plan to $3.2 billion, merges or sunsets over 20 agency brands – BestMediaInfo

    Intended or not, the new Omnicom will forever change agencies as we’ve known them – Digiday

    ‘That is an objective’: Omnicom tests AI agents to cut out the ad tech middlemen – Digiday

    Omnicom Q1 revenues rises $2.6bn Q-o-Q to $6.2bn – Exchange4Media

    Omnicom (OMC) Q1 2026 Earnings Transcript – The Motley Fool

    Ad giant Omnicom to shed thousands of roles after $13bn takeover – HR Grapevine

    ‘That is an objective’: Omnicom tests AI agents to cut out the ad tech middlemen – Digiday

    Did Omnicom’s Q1 Results and New AI Partnerships Just Shift Omnicom Group’s (OMC) Investment Narrative? – Simply Wall St

    Omnicom’s brutal decision-making to sell agencies – Ad News