Ged Carroll

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  • Skype

    I was recommended Skype VoIP software from my friend Uri. I had not tried voice over the net since I worked on one of the pioneers in this area, an Israeli company called Delthathree. I expected metallic sounding voices and gapped and stuttered speech as signals would be distorted and delayed by network traffic. Skype is a peer-to-peer voice over the net application, you pay nothing for calls between computers and low prices between computers and phones.

    This is nothing new Net2Phone did this back in the day, both Yahoo! Messenger and Apple’s iChat allows you to do video conferencing and voice calls. Skype has something else, sizzle.

    Skype’s client software arrived just as broadband has become mainstream. Secondly the player looks and works really well, Skype had the underground cool heritage of Kazaa – both shared the same development team based somewhere in the Latvia.

    Finally the Orrin Hatch pestilence of anything that doesn’t cost the consumer must be bad has co-opted authority against open source, P2P communities and telecoms providers against any web service they would like to tax to feather their own nests.

    Usability in the Mac OS X client is second to none and very intuitive. The call quality very good as well. At least comparable to Apple iChat. The call to phones is better than VoIP services that I have used in the past. And has the convenience of being able to be done from my Mac. Encryption of conversations would be nice just to wind the powers that be up a bit more! The way I look at it, the more we make them work to read our personal mail, the better the peace dividend in five years or so as the NSA has had to increase its computing power and write wicked cool software to cope. Hell, it would be un-American not to help be everything they can be! More related posts here. 

  • Six Days by Jeremy Bowen

    I recently finished reading Six Days – How the 1967 war shaped the Middle East by Jeremy Bowen. Bowen is a famous BBC journalist who seems to have researched the book well and writes in an easy-to-read style. Bowen was in the region at the time and has supplemented his experience with later research.

    I decided to read the book as I was curious to read more about the Six-Day War. The war had been  an important event in Moshe Dayan’s autobiography. If you have the chance, Dayan’s autobiography Story of My Life is a great read for a counterpoint to Bowen.

    Bias

    In Six Days Bowen tells a story that no one involved will be happy with and covers the shooting and sinking of the USS Liberty in such a way that it prods your mind to search for answers.

    The book is as much about the failings of the surrounding Arab states and the Soviet Union as it is about Israeli aggression, though Bowen’s telling of the story leans heavily in favour of the Arabs. So long as you are aware of this slant its fine. His work doesn’t editorialise that much about it.

    Mosh Dayan

    Dayan was painted in the book as a political opportunist, at the expense of illustrating his now legendary pragmatism. I found the internal strife and prejudices between different groups of the Israelis very interesting, particularly the way the Zionists born in Israel looked down on the Jews from the diaspora who had survived world war two as being weak.

    In conclusion

    I would recommend that anyone interested should read this book. The Six Day War was an event that shaped the modern Middle East as we know it. I would also recommend that you do not rely exclusively on Bowen’s version of events and interpretation of events. Its a complex issue and you need to read multiple viewpoints. Bowen’s book is a good first start in your reading about the war. More book reviews here.

  • .mac upgrade

    After the devastation that occurred in Florida by hurricanes Charley, Frances, Ivan and Jeanne signs of a long running typhoon struck in Cupertino, California. The effects of the typhoon centred on the marketing department of Apple Computer and its data centre. Following on from the launch of GMail earlier this year, Apple has upped the capacity of my email account almost tenfold to 125MB for mail and an additional 125MB for online storage.I am one of the original paying customers for .mac services so it is no coincidence that this improvement has occurred in the two weeks running up to the annual subscription payment on my account. Whichever way you look at it, the improvement is welcome and is the most important of a raft of tweaks that Apple has implemented. The alias email address is what I use to give Renaissance Chambara its own contact details.

    Here is the text from Apple announcing the changes:

    Dear .Mac Member,

    We’re excited to announce that your .Mac membership now comes with 250 MB of combined .Mac Mail and iDisk storage. And, in another move designed to make life easier as traffic grows heavier and files grow larger, we’ve increased the maximum email message size to 10 MB.

    If you haven’t tried them yet, be sure to check out two additional enhancements recently added to .Mac Mail. There’s a new online spell checker with a customizable dictionary available when you use your .Mac Mail account through a browser. And you can now use aliases as email addresses either for fun or as protection when you need to provide an email address but aren’t entirely comfortable with the requester. If your concerns turn out to be justified, you can then simply remove the alias and create a new one the next time you face a similar situation.

    We value your membership and hope you enjoy these enhancements to your .Mac service.

    Sincerely,

    The .Mac Team Respect to the Sarasota Herald Tribune for the hurricane facts that I have linked to in this entry.

  • Autumn of the Moguls by Michael Wolff

    I have been working my way through Michael Wolff’s new book Autumn of the Moguls and found some of it very predictable. Its obsession with disfunctionality amongst business leaders including Eisner and Messier.One thing that did strike a chord with me was the way technology had moved from saving the record industry from itself to becoming the industry’s kryptonite. Around about 1984 or so, the music industry had hit paydirt as Joe Public moved from their analogue recordings on 8-tracks, cassettes and vinyl on to CDs. Artists of the 1960s and 1970s were the money spinners, reputedly there was one CD factory in Germany that did nothing but make copies of Pink Floyd’s Dark side of the Moon.

    Autumn of The Moguls highlights how this model then collapsed.

    Then the internet came along and the record companies were slow to take advantage of this technology so the consumers did. Instead the industry created a huge knee jerk reaction blaming the customer for their own mistakes. From pages 283 and 284:

    File sharing replaced radio as the engine of music culture.

    It wasn’t just that it was free music – radio offered free music. But whatever you wanted was free, whenever you wanted it. The Internet is music consumerism run amok, resulting not only in billions of dollars in lost sales but in an endless bifurcation of taste. The universe fragmented into subuniverses, and then sub-subuniverses. The music industry, which depends on large numbers of people with similar interests for its profit margins, now had to deal with an ever-growing number of fans with increasingly diverse and eccentric interests.

    Not a unique challenge, clothes manufacturers, car companies et cetera all have had to deal with the fragmentation of consumer interests. There is no longer any such thing as the teenager, when do people now get old? These are all similar challenges. The fear in Autumn of The Moguls isn’t piracy, it’s the ability of these businesses to manage themselves and adjust to a post modern society.

    My own take on this is that the music industry has failed:

    • Failed to give customers what they want, more eclectic artists and built a business model about more ‘customised’ sales. I read somewhere that a Volvo car model can have some 48,000 variants. Customers now have a more eclectic musical taste, artists and record companies should build for a business model of selling 40,000 rather than 400,000 of a given record
    • Failed to take advantage of their back catalogue of deleted recordings and putting them for sale online to make a better return on slowly decaying master tapes
    • Failed to innovate, during the time that record companies may or may not have sold less CDs, depending whose numbers you believe; they signed and supported less acts and off loaded talented but not huge selling artists
    • Failed to realise that a fast buck is not always the best buck. In prostituting their recordings for supermarket soundtracks, films and car advertisements the music industry turned music into musak
    • Failed to grab their own destiny and allowed their product to be dictated to them by the radio stations
    • Failed to recognise that a number of customers still wanted analogue recordings, thus allowing niche players to subvert a reasonable revenue stream. Much of the US and European requirement for vinyl is pressed in state-of-the-art factories based in the Czech Republic as the majors exited the market

    More book reviews here.

  • The Hacienda must be built

    The Hacienda (or Fac51) was one of the most famous and influential clubs of all time, together with London nights like Shoom, Spectrum and Solaris it catapulted house music (at the time, the sound of black and gay Chicago into worldwide exposure). The Hac influenced and was influenced by the Ibizan scene. Even prior to house, the club innovated; hosting the first UK performance by Madonna in the early 1980s. The club was a work of love by designer Peter Saville, Rob Gretton who managed New Order and Tony Wilson TV newsreader and founder of Factory Records. The name itself came from a passage in arty situationist manifesto by Ivan Chtcheglov that culminated in the passage:

    And you, forgotten, your memories ravaged by all the consternations of two hemispheres, stranded in the Red Cellars of Pali-Kao, without music and without geography, no longer setting out for the Haçienda where the roots think of the child and where the wine is finished off with fables from an old alamanac. Now that’s finished. You’ll never see the Hacienda. It doesn’t exist. The Hacienda must be built.

    Famous art galleries and authors houses get preserved and saved. However night clubs don’t get this reward: The Cavern where the Beatles played is a car park, The Warehouse in Chicago has disappeared, The Wigan Casino and Twisted Wheel hubs of the northern soul scene have been redeveloped, The Wag Club which hosted new music throughout the 1980s from the new romantics to Bomb the Bass is part of a tacky mock Irish pub chain on the edge of London’s Chinatown.

     The Hacienda was demolished in 1997 and auctioned off piece by piece, the site is now a block of overpriced yuppie apartments.Despite the desecration committed by property developers, its cultural mark still lives on.

    This can be seen in the popular Steve Coogan film 24 Hour Party People, the ‘classics chart’ of Graeme Park hosted at Hard To Find Records online and London event promoters Get Loaded. More related posts here.