Category: culture | 文明 | 미디어와 예술 | 人文

Culture was the central point of my reason to start this blog. I thought that there was so much to explore in Asian culture to try and understand the future.

Initially my interest was focused very much on Japan and Hong Kong. It’s ironic that before the Japanese government’s ‘Cool Japan’ initiative there was much more content out there about what was happening in Japan. Great and really missed publications like the Japan Trends blog and Ping magazine.

Hong Kong’s film industry had past its peak in the mid 1990s, but was still doing interesting stuff and the city was a great place to synthesise both eastern and western ideas to make them its own. Hong Kong because its so densely populated has served as a laboratory of sorts for the mobile industry.

Way before there was Uber Eats or Food Panda, Hong Kongers would send their order over WhatsApp before going over to pay for and pick up their food. Even my local McDonalds used to have a WhatsApp number that they gave out to regular customers. All of this worked because Hong Kong was a higher trust society than the UK or China. In many respects in terms of trust, its more like Japan.

Korea quickly became a country of interest as I caught the ‘Korean wave’ or hallyu on its way up. I also have discussed Chinese culture and how it has synthesised other cultures.

More recently, aspect of Chinese culture that I have covered has taken a darker turn due to a number of factors.

  • Zatoichi reboot

    I went to see Zatoichi over the weekend. It is a modern Japanese interpretation of a a series within the Japanese Chambara tradition of films. Zatoichi is similar to the ‘One Armed Swordsman’ of Hong Kong cinema or Django in the spaghetti western genre.

    The new version of Zatoichi is much more than an action movie, there are well developed characters and sub-plots and a surreal but effective dance motif that runs throughout the film. Highly recommended viewing.

    This also brings me on to a more serious matter. The key to stopping employment migration to cheaper countries according to globalisation ‘experts’ is the creative sectors – at its crudest – foreigners (sic) can work but they can’t innovate. Wrong, wrong – very wrong indeed. The two best films that I have seen this year have come from Asia – (Infernal Affairs – a Hong Kong film with a twisting plot worthy of The Usual Suspects and Zatoichi).

    A recent edition of Creative Business (the FT’s media and marketing supplement) highlighted the number of creative teams in London’s top ad agencies that hail from Thailand and South America. The Halifax (a UK bank) has shot many of its television advertisements at a Bollywood studio to keep costs down and domestic electronics firms in China like Haier and Ningbo Bird are giving both Nokia and Motorola mobile phones a pasting in product design and innovation. The market share loss in China is a source of embarrassment for Nokia, more information on this can be found in this Wired Magazine article link. If we are not careful we could find the creative industries going the way of back office and IT jobs. I have posted a bit more about this on AlwaysOn (free registration may be required).

    Mixed news on the Apple front, some good – some bad. Someone has developed a proof-of-concept trojan horse for MacOS X to stop MacEvangelists being so smug. OpenOSX have released a free (as in beer) antidote. Mini iPod users have been complaining of cracking sound on the new devices – not exactly cool and the bargain basement eMac has been given a much needed upgrade (however its still really, really bulky).

  • Fopp vinyl update

    Further to my posting regarding Fopp and its vinyl section. As you can see from the mail below they will still be keeping their LPs, it is only 12″ singles that they are no longer selling.

    Hi

    just so you know it’s just the 12″ singles that were are losing not the LP’s

    Hopefully, you’ll still shop at Fopp.

    Cheers

    Fopp
    1 Earlham Street
    Covent Garden
    London
    WC2H 9LL
    T: 020 7379 0883
    F: 020 7240 8355
    E: earlham.street at fopp.co.uk
    W: www.fopp.co.uk

    THIS E-MAIL AND ANY ATTACHED FILES ARE CONFIDENTIAL, PROTECTED BY COPYRIGHT AND MAY BE LEGALLY PRIVILEGED. If you are not the intended addressee or have received the e-mail in error,
    any use of this e-mail or any copying, distribution or other dissemination of it is strictly prohibited.
    If you have received this transmission in error, please notify the sender immediately and then delete the e-mail.
    E-mail cannot be guaranteed to be secure, error free or free from viruses. Neither the sending company nor its employees accepts any liability whatsoever for any loss or damage which may be caused as a result of the transmission of this message by e-mail. If verification is required, please request a hard copy version.

    —– Original Message —–
    From:
    To:
    Sent: Saturday, March 27, 2004 11:01 PM
    Subject: store_londoncoventgarden – Posted : 22:01:51 27/03/2004

    =================================================
    store_londoncoventgarden – Posted : 22:01:51 27/03/2004
    =================================================
    First Name : Rorsharch
    Email address : rorsharch at rorsharch.com
    =================================================
    Enquiries
    =================================================
    Enquiry CD :
    Enquiry Vinyl :
    Enquiry DVD
    Enquiry Book :
    General Enquiry :
    Hi, I was very disappointed to hear today that you will be getting rid of
    the vinyl section. You have gone to the trouble of building it up and having
    a top quality team to run it alongside a really good selection, not a pile
    of crap like many stores. I go to Fopp because I can buy my DVDs, vinyl and
    books under one roof. SAVE THE VINYL or I’ll shop elsewhere. Who do I need
    to take it up with at your head office?
    =================================================

    More culture related content here.

  • Howard Dean

    Howard Dean was feted by the media before the nominations started, because of a vocal and visible core of supporters, but then disappeared as the votes were cast. IT Conversations has a very interesting recording of a speech by Joe Trippi who was responsible for Howard Dean’s democratic party campaign at the recent O’Reilly Emerging Technology Conference. The Dean campaign looked to overthrow the system of interest group money purchasing television spots and presidential ads and so an election. He was inspired by the dialogue empowered by different web technologies.

    Joe Trippi admitted that he was defeated by the system of lobbyists, money and traditional media. Dean started with 137,000 USD in the bank, 437 supporters nationally and a campaign team of seven. Dean did manage to use the Internet to get grassroots support to achieve an unparalleled amount of campaign funding from over 300,000 supporters.

    The use of Meetup.com to get online supporters to meet up and then plan real world grassroots action over the water cooler, or over the garden fence was a key element of the campaign.

    Trippi said that the internet community do not get the harsh realities of real world politics – money matters. It has also shone a spotlight on the established political machine of special interest groups.

    Is Trippi the next Peter Mandelson? I don’t know but his tactics to promote Howard Dean have raised awareness of the web as an effective political tool. The key problem with the Internet based campaign is it couldn’t respond to the repetition of negative television advertisements and negative new stories in the established media. So there is hope for PR people and ad agencies yet.

    As an aside I would be interested to see how online grassroots lobbying communities like MoveOn (from the people that gave us the original Flying Toasters screensavers back in the day) will influence the political debate. More related content here.