Ged Carroll

Category: culture | 文明 | 미디어와 예술 | 人文

Culture was the central point of my reason to start this blog. I thought that there was so much to explore in Asian culture to try and understand the future.

Initially my interest was focused very much on Japan and Hong Kong. It’s ironic that before the Japanese government’s ‘Cool Japan’ initiative there was much more content out there about what was happening in Japan. Great and really missed publications like the Japan Trends blog and Ping magazine.

Hong Kong’s film industry had past its peak in the mid 1990s, but was still doing interesting stuff and the city was a great place to synthesise both eastern and western ideas to make them its own. Hong Kong because its so densely populated has served as a laboratory of sorts for the mobile industry.

Way before there was Uber Eats or Food Panda, Hong Kongers would send their order over WhatsApp before going over to pay for and pick up their food. Even my local McDonalds used to have a WhatsApp number that they gave out to regular customers. All of this worked because Hong Kong was a higher trust society than the UK or China. In many respects in terms of trust, its more like Japan.

Korea quickly became a country of interest as I caught the ‘Korean wave’ or hallyu on its way up. I also have discussed Chinese culture and how it has synthesised other cultures.

More recently, aspect of Chinese culture that I have covered has taken a darker turn due to a number of factors.

  • The buzz of an emergent community

    I was chatting with a friend who was evangelic in their description of the emergent community on the AltSpace VR (virtual reality) social network They had met great friends, the kind of meaningful interactions that seldom occurs on your Facebook wall now.

    But was this about the power of VR? My take was that it is a minor factor at best. VR acted as a filter, it brought similar likeminded early adopters together. In many respects this mirrored other technology filters: the early days of dial up bulletin board services (particularly in the US with free local calls on the Bell network carriers),  AOL and CompuServe chat rooms or the Usenet.

    Filipino community gathering under the HSBC building

    The power of connecting likeminded people can be a transformative experience in the minds of participants.

    If I think back before my time on the internet, my friend’s experience in the emergent community of AltSpace sounded like the people I met at the Hacienda. It sounded like the experience of many of the regulars at acid house club Shoom – which was hosted by Danny Rampling out of a small gym in South London.

    These experiences are once lived, often never recaptured experiences rather like being on a school or college sports team. They only exist for a fleeting moment in time.

    It was like being an early member on Flickr, or my friend Ian’s experience on CompuServe chat rooms (where he met his future wife).

    So what makes these communities special?

    • Likeminded people who are likely to share a certain amount of norms and have common grounds to be there
    • A relatively small number of people. This number becomes inexact. In a good nightclub it would be a certain amount of exclusivity because not everyone knew it was there, rather than a strict door policy. The strict door policy is usually a remedial item done once the norms try and break down
    • Agreement to a set of common behaviours, for many years a common etiquette held sway on networks like Flickr. Facebook doesn’t have this except in tightly managed private groups

    So what happens to these communities?

    • A number soldier on, particularly around passion points such as Harry Potter books / films / games
    • A small minority (cough, cough) Facebook for example transcend their community and turn into a utility with pockets of interest hidden in secret
    • Things move on. Think about restaurants or nightclubs that are now sites of investment properties in London or Manchester

    About the photo: I took this on an early trip to Hong Kong. Every Sunday the Filipino and Indonesian communities would gather in different parts of the city to see friends, eat, sing, dance and trade items. This picture is of Filipinos,  taken in the private public space under the HSBC building in the Central district. Some years later this was a site for the Occupy Central protesters.

  • Death Notice by Zhou Haohui

    China has had a run in English literature at the moment. Cixin Liu has overturned the world of science fiction with his Three Body Problem trilogy of books. Zhou Haohui’s Death Notice promises a similar shake up in crime fiction.

    Death Notice

    Death Notice takes place in 2002, the internet was changing Chinese society and the government hadn’t yet rolled out a consistent approach to online services and content. You had the first generation of Chinese internet giants, Google was available to trawl content worldwide. The world was your oyster if you were curious enough and had sufficient English skills. Forums were transformative, attracting participants who shared a passion to connect in ways previously impossible within China.

    It was also a more open time in terms of the government’s attitude to public freedom and discourse. The book is set before the implementation of Golden Shield project, which started to censor Chinese access to the web. The Golden Shield project also helps shape online consumer opinion through content deletion on social platforms and gaming trending items. Which is why it is the ideal time to set a complex serial killer that relies on the internet. It is also a China that longer exists. I was surprised that the book has been published and lauded in China as it begs comparison with the less open Xi regime.

    The death notice of the title refers to a crowdsourced list of wrongdoers who escaped justice and end up being dispatched in creative ways. I don’t want to say any more that would give away more of the plot.

    Death Notice leads you on a twisted exploration of who the killer could be, dragging in to suspicion even members of the investigative team. And this is apparently the first in a series of books. If you enjoy Scandinavian fiction like Jo Nesbo and Stieg Larsson, then Zhou Haohui offers something that provides a similar sense of innovation in crime literature. More books reviewed here.

  • The Sacco Gang by Andrea Camilleri

    The Sacco Gang is an easy to read dramatisation of a true story about a family in Sicily during the rise of fascism. Andrea Camilleri is better known as the author of the Montalbano series of crime novels. With The Sacco Gang Camilleri takes the original source material about the Sacco family and then filled in the spaces to provide clarity to the narrative.

    The Sacco’s were a family on the rise in Sicily. They got their advantage through a mix hard work and good luck. They realised when it was luck rather than convincing themselves that it was their won skill. The Sacco’s  managed to move above the hand-to-mouth existence of indentured farm labourers; a common existence in pre-war Sicily.  Sicilian society was essentially feudal in nature, grinding poverty and injustice gave rise to the mafia and allowed it to turn into something malignant.

    The family’s deeply ingrained sense of natural justice meant that they were not going to give into the mafia’s attempt to ‘tax’ the family back into poverty. Their socialist leanings meant that the family also became targets for the fascist government, even as they crushed the Sicilian mafia.

    Camilleri wraps this all up in a small very easy-to-read novelette. More book reviews here.

  • Through a storm with Big Bird

    Just when you think that Sesame Street can’t get any more awesome, you find out that they’re putting out content like this on how the characters of Sesame Street get through a storm

    Jaguar Land Rover’s ‘Googly Eyes’ isn’t just a gimmick but a classic bit of human computer interaction thinking. The cars gaze passes important information to pedestrians in its ‘line-of-sight’

    Hypebeast founder Kevin Ma plays blinder; offering to pick up the tab for every ticket to Hypefest.

    Culture and learning shouldn’t have a price attached to it.

    I will personally cover the cost of tickets to make Hypefest a free experience for all.

    Over a decade ago, I began a website documenting the things we love. Next month we will be holding our very first festival @hypefest which will bring our culture to life. To celebrate this moment, I will be personally covering the cost of tickets to provide free tickets for everyone. All are welcome to come share this moment with use. Tickets available tomorrow 12PM tomorrow on hypefest.com

    CHiPs ‘roller disco’ – the most Seventies bit of television ever. I’ve heard this being used as the intro track on some of Luxxury‘s mixes. It helps you get through a storm of a day with feelgood disco

    Sit back and enjoy the spectacle.

    Hollywood studios had to get through a storm. Television had led to declining cinema audiences. Cinemas hadn’t moved to the kind of multiplex higher comfort experience that we know now, so were closing in large amounts. Some fleapits in major cities were kept open screening badly dubbed martial arts films and pornography. It was around this time that Deep Throat, The Opening of Misty Beethoven and Behind The Green Door developed mainstream popularity.

    At the time you had film stars making guest appearances on television; this gave them an invaluable boost to incomes that had dried up. The movie studio system hadn’t glommed on to blockbusters yet and was in the thrall of directors of the American New Wave. There wasn’t a lot of roles at the time for stars of the 1960s like Breakfast at Tiffany’s George Peppard. Others like Lee Van Cleef and Richard Harrison went to work in the Italian and Asian film industries.

    They probably didn’t know that change was just around the corner the launch of the over budget and under-appreciated Heaven’s Gate put an end to the American New Wave.

    Steven Spielberg and others brought in the rise of the blockbuster and the studio system was saved. But George Peppard never made another cinematic film; instead he lives on in the minds of many people as Hannibal Smith from the A-Team.

    Finally a 1970 concert film of Miles Davis performing the title track from Bitches Brew

  • Dr Eugenia Cheng & things that made last week

    Dr Eugenia Cheng

    Dr Eugenia Cheng talks about the key themes in her book The Art of Logic: How to Make Sense in a World that Doesn’t

    Outtakes from Dr Eugenia Cheng talk:

    • Pure mathematics is a framework for agreeing on things
    • Pure maths is a framework for how to think
    • Make progress rather than repeat things to make a better logical argument
    • Logic validity doesn’t equal morally valid in analogies
    • Interconnectedness is often erroneously simplified by blaming a single item as a cause
    • Its easier to change actions, than it is to change feelings. Feelings just are
    • Great feedback loops tied into obesity is fascinating
    • Relationships between things – media affects thinking by shoehorning natural geometry into one or two dimensions
    • Intelligence: reasonable – can be reasoned with, powerfully logical – not just using logic but using techniques to move an organisation further and being helpful: emotion

    More ideas related content here.

    Merino wool producers assume that cyber punk is a synthetic dystopia, instead of thinking abut how wool is a technical fabric by its very nature. The ad was done for the Woolmark Company by TBWA Sydney. Do humans dream of technical merino wool?

    Live footage of Talking Heads performing Once in a Lifetime in 1980. The performance encapsulates everyone that I expect Talking Heads to be.

    Zegna’s radical reinvention | How To Spend It – great profile of Gildo and the fashion brand that he manages. The process of reinvention doesn’t seem to create a tension with the heritage – which is a great attributed to a luxury brand. There isn’t that much difference between Zegna and Stone Island in terms of innovation.

    Jori Hulkkonen – Attack Magazine –  he has a great back catalogue, so looking forward to his Simple Music for Complicated People album. Hulkkonen’s work goes from extremely emotive soulful house to minimal techno and everywhere in between.