Category: culture | 文明 | 미디어와 예술 | 人文

Culture was the central point of my reason to start this blog. I thought that there was so much to explore in Asian culture to try and understand the future.

Initially my interest was focused very much on Japan and Hong Kong. It’s ironic that before the Japanese government’s ‘Cool Japan’ initiative there was much more content out there about what was happening in Japan. Great and really missed publications like the Japan Trends blog and Ping magazine.

Hong Kong’s film industry had past its peak in the mid 1990s, but was still doing interesting stuff and the city was a great place to synthesise both eastern and western ideas to make them its own. Hong Kong because its so densely populated has served as a laboratory of sorts for the mobile industry.

Way before there was Uber Eats or Food Panda, Hong Kongers would send their order over WhatsApp before going over to pay for and pick up their food. Even my local McDonalds used to have a WhatsApp number that they gave out to regular customers. All of this worked because Hong Kong was a higher trust society than the UK or China. In many respects in terms of trust, its more like Japan.

Korea quickly became a country of interest as I caught the ‘Korean wave’ or hallyu on its way up. I also have discussed Chinese culture and how it has synthesised other cultures.

More recently, aspect of Chinese culture that I have covered has taken a darker turn due to a number of factors.

  • The influence post

    Mark Ritson wrote an op-ed over at Marketing Week on influence and influencers. Whilst it lacked nuance on the subject area, a lot of what it said is true. Go over and have a read; I’ll be waiting for when you come back.

    Whilst I disagree on the finer points, what Ritson wrote needed to be said. There needed to be a turning of the tide on influencers from boundless optimism to a greater degree of sobriety and critical analysis of the influencer opportunity.

    I first noticed this boundless optimism when I attended the In2 Innovation Summit in May last year.  Heather Mitchell on a panel. Mitchell worked at the time in Unilever’s haircare division where she is director, head of global PR, digital engagement and entertainment marketing. I asked the panel discussing influencer marketing about the impact of zero-based budgeting (ZBB) and the answer was ducked. ZBB requires a particular ROI on activity, something that (even paid for) influence marketing still struggles to do well.

    This was surprising given the scrutiny that other marketing channels were coming under, I couldn’t understand how influencer marketing merited that leap of faith.

    This time last year I noted:

    Substitute ‘buzz marketing’ for ‘influencer marketing’ and this could be 15 years ago. Don’t get me wrong I had great fun doing things like hijacking Harry Potter book launches when I worked at Yahoo!, but no idea how it really impacted brand or delivered in terms of RoI. Influencer marketing seems to be in a similar place.

    Just five years ago we had managed to get past the hype bubble of social and senior executives were prepared to critically examine social’s worth. In the meantime we have had a decline in organic reach and massive inflation in both ad inventory and influencer costs. What had changed in the marketers mentality?

    Onward with Mark Ritson’s main points.

    Ritson’s Three Circles of Bullshit

    A very loose reference to Dante Alighieri’s Divine Comedy trilogy; but for modern marketers

    The First Circle of Bullshit: Are the followers real?

    • Are they bots?
    • Are they stolen accounts?
    • Are the user accounts active any more?
    • Has the account holder padded their account with bought followers and engagement. Disclosure – I ran an experiment on my Twitter account and still have a substantial amount of fake followers. More on this experiment here.

    The Second Circle of Bullshit: Are influencers trusted?

    • Ritson did an unscientific test that showed (some) influencers would post anything for a bit of money

    The Final Circle of Bullshit: Do they have influence?

    • Some influencers are genuinely authoritative; but this is a minority of influencers out there
    • Ritson alludes to the lack of organic reach amongst an ‘influencers’ followers which is likely to be 2% reach or less
    Trends in influence

    I looked at Google Trends to see what could be learned in the rate of change in searches over time. Consider Google Trends to be an inexact but accessible measure of changes in interest over time.

    Global interest in influencers have been accelerating

    Influence: Google Trends

    There has been a corresponding rises in interest around paid influencer marketing

    Influence: Google Trends

    There hasn’t been the same interest peak in organic (PR-driven) influencer work

    Influence: Google Trends

    All of which supports the following hypotheses:

    • it’s become on-trend from the perspective of marketers, agencies and ‘influencers’
    • A significant amount of influencers are in it for the money – which brings into question their (long term authority and consumer trust)
    • A significant amount of influencers have an exceedingly good idea of their value (more likely overly-inflated)
    • Ego is less of a motivator for becoming an influencer than material gains
    What would influence look like?

    Propagation of the content by real people. Instagram, a particularly popular influencer channel, has made sharing posts difficult for followers historically. Re-gramming was a pain in the arse for the average Instagram user.

    Slide4

    If we look at the mainstream media and how it is shared on Facebook we see that only five media brands are consistently in the top ten most shared media properties. ‘Traditional’ influencer status isn’t necessarily a garrantor of consistent successful propagation either, if Newship’s data is to be believed.

    Attributed sales. Some luxury brands in China have had success collaborating with influencers and selling through their channels; the post child being Mr Bags collaboration with Longchamps.

    How is the best way to use influencers in marketing?

    Assuming that you are using influencers in the widest possible sense at the moment.

    Treat the majority of influencers as yet another advertising format

    That means that reach, the way the brand is presented, and repetition are all important – smart mass marketing following the playbook of Byron Sharp.

    • Viewing your influencer mention in that prism, it means estimating what the real reach would be (lets say 2% of the follower number as an estimate) and paying no more on a CPM rate than you would pay for a display advertising advert
    • Ensure that the brand is covered in the way that you want. Some luxury brands have managed to get around this by keeping control of the content; a good example of this is De Grisogono – a family-run high jewellery and luxury watch brand. They work with fashion bloggers that meet their high standards and invite them to events. De Grisogono provides them with high-quality photography of its pieces and the event. They get the  high standard of brand presentation which raises the quality of the placement
    • Get repetition with the audience by repeating the placement with other content that delivers the same message with the same high standard of production

    All of this might work for a luxury brand, IF you found that the amount of agency time and creative work made commercial sense. It is less likely to work for normal FMCG brands. What self-respecting influencer is going to be bossed around by a breakfast cereal?

    Thinking about micro influencers, probably the area that has had the most interest from marketers recently due to them appearing to be better value than macro influencers.

    Brown & Fiorella (2013) explanation of micro-influencers:

    Adequately identifying prospective customers, and further segmenting them based on situations and situational factors enables us to identify the people and businesses – or technologies an channels that are closest to them in each scenario. We call these micro-influencers and see them as the business’s opportunity to exert true influence over the customer’s decision-making process as opposed to macro-influencers who simply broadcast to a wider, more general audience.

    Brown & Fiorella focus on formal prospect detail capture and conversion.

    This approach is more likely to work in certain circumstances; where there is low friction to conversion (e-tailing for discretionary value items).

    It starts to fall apart when you deploy their approach to:

    • Consumer marketing
    • Mature product sectors
    • Mature brands

    You would also struggle with many B2B segments where social provides a small reach and little social interaction.

    Work with real influencers on long term collaborations
    • There is more likelihood of having audience trust if they can see and understand the long term relationship between a brand and its influencers
    • Better brand placement easier, with an influencer that ‘gets’ the brand
    • You’ve got a better chance of being able to get access and fully understand the underlying analytics of their accounts (which should be a prerequisite for long term relationship)
    • You can look at collaborations and attribution payment models that raise all boats
    • You can lock out rivals out of relationships
    More information

    Mark Ritson: How ‘influencers’ made my arse a work of art | Marketing Week
    Edelman Digital Trends Report – (PDF) makes some interesting reading
    Instagram Marketing: Does Influencer Size Matter? | Markerly Blog
    Influence Marketing: How to Create, Manage and Measure Brand Influencers in Social Media Marketing by Danny Brown & Sam Fiorella ISBN-13: 978-0789751041 (2013)
    Facebook Zero: Considering Life After the Demise of Organic Reach
    Quantifying the Invisible Audience in Social Networks – Stanford University and Facebook Data Science
    PLOS ONE: Detecting Emotional Contagion in Massive Social Networks by Lorenzo Coviello,Yunkyu Sohn, Adam D. I. Kramer,Cameron Marlow, Massimo Franceschetti, Nicholas A. Christakis, James H. Fowler
    Senior Execs Not Convinced About Social’s Worth | Marketing Charts
    Measuring User Influence in Twitter: The Million Follower Fallacy – Cha et al (2010) – (PDF)
    Visualizing Media Bias through Twitter. Jisun An. University of Cambridge. Meeyoung Cha. KAIST. Krishna P. Gummadi. MPI-SWS et al – (PDF)
    Mr. Bags x Longchamp: How to Make 5 Million RMB in Just Two Hours | Jing Daily
    It’s time that we talk about micro-influencers

  • Cyberpunk 2077 & other things

    E3 largely past me by, except for this trailer for forthcoming game Cyberpunk 2077.  Loving the William Gibson’s sprawl trilogy era meets synth-wave vibe to Cyberpunk 2077. Cyberpunk 2077 is being developed by the same studio that adapted The Witcher books to computer games.

    This is a few years old, but Blu e-cigarettes put together a good documentary seven-episode series on dance music and DJ culture that is well worth watching

    Think influencers can be filled with entitlement, who inflate their follower numbers and leech off marketing budgets and want an alternative? You wouldn’t be alone. Virtual personalities have been a thing for a few years in Japan thanks to  Yamaha’s Vocaloid software; you have a purely artificial ‘idol’ (popstar) who appears as a hologram. Virtual YouTube personalities have followed and it was only a matter of time for one of them to start speaking in English to increase their reach.

    I’ll let Sakura Fujima introduce herself. And here’s the kind of content we can look forward to expecting from her

    I’m a big fan of Carhartt and love this advert

    MTV are looking to get hold of some sweet streaming production money by bring back golden oldies including Daria. Expect more dry witticisms and the same monotone delivery that was very gen-X zeitgeist. This time Daria is becoming more woke, by blowing off her bestie Jane and focusing on her black friend Jodie instead.

    While its not likely to affect your post club kebab shop any time soon big food has been showing some interest in automation (like McDonald’s self-service ordering and apps). There will obviously be a trade-off between the likely returns on capital expenditure versus the ready availablility of cheap flexible labour. The number of available products for sale and their relative complexity is another consideration. This Bay Area installation is taking things to their logical conclusion.

    creator burger robot serves this gourmet diner classic for 6 dollars from designboom on Vimeo.

  • Advanced engines + more things

    Troublesome advanced engines for Boeing, Airbus jets have disrupted airlines and shaken travelers | The Seattle Times – this isn’t like the new engine in your car. The advanced engines in a jet engine are exposed to more heat and pressure than you can imagine. When you’re working on advanced engines for aircraft; you’re operating at the bleeding edge of materials and engineering. New metal alloys, titanium, engineering ceramics and carbon fibre all started in advanced engines for aircraft.  What’s interesting is the way the problems have assailed multiple engine builders at the the same time. Almost as if there is a roadblock in the technium for advanced engines

    Lost Liverpool #13: The Beat of Bold Street Part 2, the Mardi Gras and G-Love – Getintothis – wow I read this and it brought back a lot of memories. G-Love was the closest thing to the legendary Shoom vibe in Liverpool. It was a different kind of crowd to what you saw at the Quadrant Park or even Garlands. G-Love at the Mardi Gras is what I’ve measured every club experience against since and most of them have been miserable failures by comparison. Early Cream felt austere and corporate with its ‘no jeans’ dress code.  G-Love was part 1960s love-in and part rave. It was Ibiza without even knowing where the Balearic islands were.

    Crown, a new app from Tinder’s parent company, turns dating into a game | TechCrunch – yet another thing for incel subculture to complain about

    Death of the landline? Why we are hanging up on the ‘home phone’ – Independent.ie – in my parents case its cheap calls to Ireland. Though its hard for them to justify the landline because of the amount of spam calls that they receive

    Encrypted Messaging Apps Have Limitations You Should Know | WIRED – these limitations are well known, yet law enforcement continues to want in the clear messaging only. The fig leaf of a magic key just indicates their deliberate techno-ignorance

    Nike scores big in Chinese KOL competition | Campaign Asia – Nike is killing it in China thanks to understanding local culture and global youth culture.

  • Seventeen by Hideo Yokohama

    Seventeen by Hideo Yokohama

    Seventeen follows Yokohama’s first break out book translated into English; Sixty Four, but it isn’t a sequel or a prequel.

    Hideo Yokohama is a former journalist. he used to write for the Jomo Shimbun, a regional paper in Japan. It was obviously easy for him to write about life as a journalist. Yokohama-san captures the atmosphere in a news room. The egos and tensions. Perhaps the biggest tension being the solitary nature of being a writer, whilst participating in the team effort of a daily miracle of creating a newspaper.

    It describes a pre-internet world, where pagers were hot items, cellular phones were starting to make an appearance but outrageously expensive. Two-way radio sets were commonly used by taxi-companies, field services organisations (utility vans) and possibly media who couldn’t afford cellphones.

    Seventeen isn’t a straightforward book to read, it has parallel narratives that wind together. One narrative is that of a senior journalist in a local paper in 1985 in the aftermath of Japan Airlines Flight 123; the world’s largest loss of life in a single aircraft accident. The second strand is the journalist some 15 years older; preparing to climb a rock face with the now adult son of a friend who died at the same time as the air crash.

    The book mixes the existential crises of the journalist in both home and professional life; with the emotion involved in reporting such a horrific event. Yokohama  captures the politics and internal pettiness of his office colleagues and the perverse nature of the company chairman.

    Seventeen is a great read, which I can highly recommend as a summer holiday read. More book reviews can be found here.

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  • Hiroshi Fujiwara & things from last week

    I first knew of Hiroshi Fujiwara though his work on old school Japanese hip-hop label Major Force. He was cited as an influence in Bomb The Bass’ first album Into The Dragon. His influence has been much bigger in terms of streetwear and Harajuku culture that fuelled fashion and culture of the past two decades. He is now collaborating Moncler and did some media interviews :

    Thailand is famous for emotion-filled adverts and this Sunsilk film is no exception, dealing with family acceptance of Kathoei (กะเทย). Its a beautiful piece of work by JWT’s Bangkok office.

    I’ve never worn Doctor Martens myself but they were often seen in the school yard and during my early working life. They are as British as Marks & Spencers chicken tikka masala. I thought product had been moved offshore as part of globalisation, but it seems that there is still a small production facility in the UK. The process of how the shoes are made is fascinating.

    The application of machine learning in the criminal justice system is something of concern. The natural inclination of authority is to inflate itself with every tool that progress provides.

    Great documentary on Chinese wealthy migration away from China. The move to Vancouver was pioneered in the early 1970s with wealthy Hong Kongers preparing for its handover in the decades to come. They’ve been followed families who got rich on the mainland following the opening up of the economy.

    It reflects the reality of major cities around the world now as capital flight out of China continues. Non-domestic earnings (like that from Russia and Middle East) is a factor driving unaffordability of housing. The experience of Mau and the opening up founded a culture of ‘now’. This has manifested itself in different ways: capital flight, having a bolt hole abroad and a foreign passport in case things go suddenly bad. It also explains historic product quality issues as entrepreneurs think about the now and let the future take care of itself, preferably while you have gone abroad to live a comfortable life.