Culture was the central point of my reason to start this blog. I thought that there was so much to explore in Asian culture to try and understand the future.
Initially my interest was focused very much on Japan and Hong Kong. It’s ironic that before the Japanese government’s ‘Cool Japan’ initiative there was much more content out there about what was happening in Japan. Great and really missed publications like the Japan Trends blog and Ping magazine.
Hong Kong’s film industry had past its peak in the mid 1990s, but was still doing interesting stuff and the city was a great place to synthesise both eastern and western ideas to make them its own. Hong Kong because its so densely populated has served as a laboratory of sorts for the mobile industry.
Way before there was Uber Eats or Food Panda, Hong Kongers would send their order over WhatsApp before going over to pay for and pick up their food. Even my local McDonalds used to have a WhatsApp number that they gave out to regular customers. All of this worked because Hong Kong was a higher trust society than the UK or China. In many respects in terms of trust, its more like Japan.
Korea quickly became a country of interest as I caught the ‘Korean wave’ or hallyu on its way up. I also have discussed Chinese culture and how it has synthesised other cultures.
More recently, aspect of Chinese culture that I have covered has taken a darker turn due to a number of factors.
I have used Flickr as my visual diary and my older pictures end up in odd places, but none odder than an office move picture and Backroom. The office move picture seems to have something about it that others feel.
The interior of my old office in 74 New Oxford Street
I had posted it on Flickr, which is a site that I use as my personal picture library, visual diary and image hosting for this blog.
Flickr
Flickr is a photo sharing site. It has discussion boards, groups for different kinds of photography. It hosts images that can be embedded. While it has had an app for longer than Instagram has been around, its freemium model and late adoption of filters meant that Instagram covered the mass market and Flickr was more for dedicated photographers of sorts.
I started getting messages in Flickr about the picture
Hello, I am messaging you about an old photo you took. 11 years ago you took a photo of an empty office. If you remember where this building is may you please tell me. I want to know where it is because it is the photo in an article for backrooms level 4 (I’m not sure if you know what that is but it is a really bug mystery.
filerew
Curious about the Enigmatic Office Building – Dear Ged Carroll, I stumbled upon this intriguing picture you posted on Flickr back in 2011 (September 12, 2011). It’s a captivating shot of an empty office building, and I’m really curious about its location and the story behind it. Could you please share more details about where this picture was taken or how you came across it? It seems like it might be part of an online mystery, and I’d love to learn more about it.
George Williams
Until I got the message from filerew, I had no clue about Backroom.
Empty office
The empty office picture was taken at 74 New Oxford Street, the building had the now unfortunate name of ‘ISIS House’ at the time. The agency that I worked for had been on a long lease in the space. It had originally been fitted out sometime in the 1980s or early 1990s for Comic Relief. There had been no changes since. It was as tired looking as the photo showed.
The furniture was taken away by the company who outfitted our new office. The landlord took the building back as tenant leases ran out. They then stripped the building down to the studs and thoroughly refurbished it as a modern glass fronted block. Even the building entrance moved from 74 New Oxford Street to 70 New Oxford Street.
The photo has a grainy quality as it was taken quickly using an iPhone 3GS, hence the considerable noise in the image that softens it, rather like watching a film on a VHS video tape. It was a dark and cloudy day, which gave it the soft even lighting and shadows.
Backroom
Backroom is a sort of online game that seems to be similar to boardgames such as Dungeons and Dragons with players consulting the site. The backrooms of the title are dystopian places with some supplies for the players and various risks of imminent death.
Something about the mysterious feeling of the picture inspired them to use it in their game. The Backroom site does weird me out a bit however.
Most of my images are available on a creative commons licence, so the creators at Backroom were perfectly entitled to use it.
Breakin was a 1984 film which brought hip hop culture around the world. You can criticise the plot and awkward dialogue, but the break dancing and body popping was amazing. The film was a sufficiently successful commercial success that a sequel was made to the original film.
The broom sweeping scene
The broom sweeping scene in Breakin was inspirational drawing from mime, body popping and breaking sparked the imagination of people around the world. It made the dancer Michael “Turbo” Boogaloo Shrimp Chambers a global celebrity. Chambers himself credited stop motion animation of films like Ray Harryhausen’s works as being a key influence. He went on to teach Michael Jackson the ‘moonwalk’.
The broom sweeping scene from Breakin was shot at 4323 Melrose Avenue, which in turn has turned into a pilgrimage for fans. So a camera crew and Chambers went back to the site and reshot the scene over one night. The production team had wrapped the building to resemble the original in 1984.
Despite Chambers recovering from knee surgery, he still has the skills some 34 years later.
Caterham Project V
Caterham are famous in the car world for their evolution of Colin Chapman’s Lotus 7 design, which was the purest manifestation of Chapman’s design philosophy to make light, great handling cars. Caterham has been looking at making the jump from internal combustion engine powered vehicles to electric power. Like previous Caterham cars, much of the design process is about curating parts from other manufacturers parts bins with their own chassis and suspension design to come up with a perfect handling chimera.
‘Military Magic’
The role of innovation and military development has on each other is a subject that is often discussed. Our modern online world is down to cold war thinking about resilient data and telecommunications network. But Kuo’s research has found that innovation can also hurt combat effectiveness and highlights the kind of factors where this might occur. Innovation isn’t bad, but can be done badly. More on related content here.
Green Mountain Coffee Roasters
In the US, Keurig k-cup capsules are the default home brewed coffee standard, rather like Nespresso in Europe and much of Asia. Green Mountain Coffee Roasters worked with Kevin Costner to create signature roast varieties for him. The subsequent ad lampoons how brand partnerships often move from the authentic to the ridiculous.
7-Select
7-Eleven Hong Kong is a standby for workers wanting a grab-and-go breakfast, lunch or dinner at their desk. They have a range of foods called 7-Select. They promoted it online and via TV advertising this year using local celebrity Dee Gor and generative AI-based artwork.
The 7-Select range features many Hong Kong stables that merge western dishes like sandwiches in a local way that is emblematic of Hong Kong cuisine. Below is a video on the making of the advertisements including green screens and wire work – usually a staple of Hong Kong’s fantastical martial arts film industry.
Porsche committed to major long form content as it followed Michael Fassbender on the road to Le Mans.
Season one
Road to Le Mans started off over four years ago with six short form films, each no longer than 10 minutes in length. So far, pretty much what you would expect in a prestige luxury car brand film. I was reminded of BMW’s ‘The Hire’ film series over the years with Clive Owen as the driver.
Season two
Porsche must have had positive feedback to continue with a second series in a similar vein to series one of Road to Le Mans. But some of the episodes were double the length of series one and three more episodes in this series. Looking at the Porsche YouTube channel the two seasons were likely considered to be a complete arc. They build a playlist that holds only season one and season two.
The manage to switch around the voices in the narrative which I think adds more in season two and season three.
Season three
By season three, the series seems to have hit its stride. The episodes are as long as they need to be.
Season four
Season four seems to have more of Fassbender’s voice in it.
Feature film
The theme of resilience in the face of failure was an interesting, honest angle in the film. Road to Le Mans emphasises stoicism and resilience as much as it emphasises the performance of the car. The feature film is an edit together of season four.
Although it’s Fassbender’s journey and I respect what he’s done, it feels a bit self indulgent at times. I think that this is because the actor’s journey as a profession isn’t a team sport in the same way that most other roles are.
What Road to Le Man also brought through to me was the depth of achievement in Porsche’s 18 Le Mans overall victories. This film feels like a final chapter to this Road to Le Mans at least.
Porsche seem to have shouldered the cost of the film themselves, I was a bit surprised that the content wasn’t licensed to a streaming service like Netflix and then eventually put on YouTube. More related content here.
For some brands sponsorships aid in research and product development, motorsport and mountaineering are two sports where this the case. Other sponsorship deals, for instance college athletes and premier league footballers depend on the individuals effect as an influencer as much as their role on pitch. All of these complexities will affect the perception of the sponsorship value and effectiveness. Sponsorship being unmanaged and unmeasured isn’t a new phenomenon. – Sponsorship ‘unmanaged and unmeasured’, WFA warns – The Media Leader. Shirt sponsors are basically dependent on the amount of time on screen. Sponsoring celebrities like Jackie Chan is more about attracting eyeballs to the companies advertising campaigns.
(Jackie Chan represents a particular problem in this sector of sponsorship because he represented over 12 brands at the same time. From local companies that made game consoles suspiciously similar to Nintendo systems to Japanese multi-nationals Canon and Mitsubishi.)
Part of this focus on sponsorship measurement might be about the culture change digital advertising created: How the digital revolution led to a greater justification for advertising – The Media Leader. Famously, telecoms executives love of particular sports influenced sponsorship programmes of their companies. Sir Peter Bonfield was a keen sailor and BT sponsored the Global Challenge yacht race series.
Sir Chris Gent, over at Vodafone was a big cricket fan. The sponsorship would have been difficult to measure as a lot of the impact would have been in cementing existing relationships and facilitating new ones through corporate entertainment. With both, there would be some efforts to demonstrate the relevance of the sponsorship, but it was very much putting the cart before the horse.
Grateful Dead x Stundenglass Bong | Esquire – yes the Grateful Dead now have an official bong for resale, but the author’s deadhead memories are the thing to read on this article
Louis Vuitton is selling a €6,000 digital mini trunk by Nicolas Ghesquière | Vogue Business – Louis Vuitton is selling a €6,000 digital mini trunk by Nicolas Ghesquière. The next product available to LV’s exclusive group of NFT holders is a mini trunk bag designed by the brand’s women’s artistic director. Only 200 are available, and the physical will land in March.
I had used SCART for a long time. The large parallel port plugs and stiff coaxial cables that looked as if they were limbs that had fallen of a cyberpunk twisted oak, were just part of the living room. Even if you hadn’t looked behind the TV cabinet, you maybe seen them as part of the flight cased TV and laser disc combo back when karaoke first took off as an activity in your local pub. Or the connection between a pub’s TV for Sky Sports and the set-top box held up high on the pub wall for punters to enjoy the game with their drink.
That was up until their replacement by HDMI cables, TOSLINK and ethernet cables in my home TV set-up over the past ten years. SCART was actually the name of the French radio and television makers association who developed the standard back in the mid-1970s. SCART came along as TVs were becoming more reliable and one started to see the decline of the TV rental market.
My parents first TV that they bought in the UK was a HMV-branded set with glowing vacuum tubes in the back despite a relatively modern looking TV case with push buttons similar to this one. SCART came along just a few years later.
A lot of the SCART features assumed that consumers would move to larger TVs with better displays and sound that would come to dominate the living room of European homes. And they were right, though through much of the 1980s many homes still had a 13″ colour portable TV.
SCART became compulsory for televisions sold in France from 1980 onwards. The standard was sufficiently robust and scalable for it to be used in transmitting 1080p high definition video as HDMI came to prominence. France eventually revoked their compulsory adoption of SCART in 2015.
Things that we take as standard on HDMI like using the VCR, set-top box or disc player to turn on the TV, were also standard on SCART from the late 1970s. You could daisy chain equipment together, which was important for people who were early adopters of satellite receivers, cable TV boxes and laser disc players.
SCART came at a time when globalisation moved the gravity of consumer electronics further east. First to Japan, then Taiwan, Hong Kong, South Korea, Malaysia and eventually China. Brands like Philips, Grundig, Nokia, Nordmende, Thomson and Ferguson were swept to the side by likes of Sony, Mitsubishi, Panasonic, Sharp, LG and Samsung.
The SCART socket and plug were clever designs. You could only put them in the right way around and for something with 21 pins in they were not only robust but easy to plug and plug out again. Though once you had a SCART connection set up, you left it well alone.
China’s property crisis is stirring protests across the country – Nikkei Asia – Around 50 to 70 demonstrations are now occurring monthly, though August saw about 100 worker-led protests, three times as many as the same month a year earlier. Since June 2022, demonstrations have occurred in 276 cities nationwide. The protests have been somewhat concentrated in wealthier cities, particularly Shenzhen, Xi’an and Zhengzhou, and together have involved tens of thousands of people.
How Liverpool’s legendary Club 051 was brought back from the brink of demolition – Features – Mixmag – “The nightclub in itself is a thing of the past,” he continues. “Most of the stuff people class as nightclubs now are bars or bar-restaraunts that have DJs playing in there and it’s booze culture. There is industrial clubs, especially in London – but in Liverpool, there isn’t really any.” It’s difficult to disagree with Lee, being in this space with its pillars and it’s expansive-yet-intimate atmosphere feels markedly different to being in the kind of modern venues that tend to be of a similar capacity in the UK — converted warehouses and industrial spaces, with a routine approach of sticking decks and the end of the room alongside the soundsystem and a bar at the back
Design
Language Log » Eddie Bauer – young people either can’t read or don’t want cursive fonts according to this Eddie Bauer rebrand
Case Study | Fashion’s New Rules For Sports Marketing | BoF – When the Paris Olympic and Paralympic Games begin in July 2024, LVMH brands will have a significant presence. Louis Vuitton, Dior, and Berluti will design uniforms and Chaumet will create the medals. This is the first time LVMH will sponsor individual athletes. This “premium” partnership highlights the growing importance of sports to the fashion industry.
Survey reveals surprising age trend among paid subscribers of electronic comics in Japan | SoraNews24 – an Internet survey conducted by Oricon ME between May 17 and June 7 of this year revealed. According to 10,438 e-comic reader respondents between the ages of 15-79 who read e-comics at least once per week, the age demographic that subscribed most frequently for these services, at 50.5 percent, was those in their 50s. Conversely, the age group that subscribed least frequently, at 6.2 percent, was those between 10 to 19 years old.
Israel Arms the World’s Autocrats—With Weapons Tested on Palestinians | The New Republic – “It’s either the civil rights in some country or Israel’s right to exist,” said Eli Pinko, the former head of Israel’s Defense Export Control Agency, in 2021. “I would like to see each of you face this dilemma and say: ‘No, we will champion human rights in the other country.’” Under this ethos, the Israeli economy quickly “abandoned oranges for hand grenades,” as one critic memorably quipped. After the Six-Day War in 1967, when the 19-year-old nation launched a preemptive strike on its neighbors—taking over the West Bank, Gaza, East Jerusalem, and the Golan Heights—a new era in Israeli politics began
The Russian Way of War | Foreign Affairs – Russia has long been home to creative thinking in both conventional and nonconventional warfare. In the conventional arena, during the 1920s and 1930s, Soviet military thinkers generated novel ideas such as the concept of deep battle—breaking through enemy lines and creating a continuous moving front. These ideas shaped, and continue to shape, NATO thinking. In the unconventional space, Soviet influence was even more profound. From its founding days, Soviet leaders developed a body of ideas and practices about subversive conflict, including forging documents, co-opting agents abroad, and establishing disinformation campaigns. An early example was the groundbreaking Operation Trest. Carried out in the 1920s, Trest operatives established fictitious underground political cells in Europe in the 1920s to infiltrate anti-Bolshevik groups and lure their members back to the Soviet Union.
Secretive White House Surveillance Program Gives Cops Access to Trillions of US Phone Records | WIRED – The DAS program, formerly known as Hemisphere, is run in coordination with the telecom giant AT&T, which captures and conducts analysis of US call records for law enforcement agencies, from local police and sheriffs’ departments to US customs offices and postal inspectors across the country, according to a White House memo reviewed by WIRED. Records show that the White House has provided more than $6 million to the program, which allows the targeting of the records of any calls that use AT&T’s infrastructure—a maze of routers and switches that crisscross the United States. In a letter to US attorney general Merrick Garland on Sunday, Wyden wrote that he had “serious concerns about the legality” of the DAS program, adding that “troubling information” he’d received “would justifiably outrage many Americans and other members of Congress.” That information, which Wyden says the DOJ confidentially provided to him, is considered “sensitive but unclassified”
