For me string art is something that was a hangover from the 1960s and 70s. I remember visiting a number of schools as a child as I was going to move infant schools. One of the ones that my parents and I visited had a giant felt covered board with tacks nailed into it and coloured threads forming a geometric patten of string art.
Artist Petros Vrellis took string art to a new level. Using a giant circular frame with 200 pegs and a computer programme built in Openframework to work out where to arrange the 2 kilometre long strings.
I’ve been listening to a lot of Dimitri from Paris this week. Here’s a sample of this work
Kerri Chandler does a rare set using reel-to-reel tape recorders. The models he is using are mid-range consumer models by Pioneer (I think they’re the Pioneer RT-707) with direct drive motors that the Japanese manufacturers pioneered in hi-fi. I suspect Chandler is using these more for their compact size than them being the best machines. The RT-707 couldn’t take 10 1/2 inch reels
He is putting it all into a vintage Bozak mixer. Back in the 1970s and 80s, DJs used reel-to-reel tapes much more in the DJ booth. It allowed new recordings to be tried. Or edits and mixes that had been made at home played to a live crowd.
The reel-to-reel machine didn’t allow you the same control of tempo that a Technics SL-1200 or CDJ machines would allow. Reel to reel tape allowed for a richer saturated sound than digital recording does.
Ogilvy did a presentation on what previously have been called youth marketing trends. Despite them using the generation Z label there is some good consumer trend content in it.
If you were around ten years ago, much of this is is familiar and would have been said about millennials. Authenticity was also said about generation X. Though it was often tied to the idea of not ‘selling out’.