Category: culture | 文明 | 미디어와 예술 | 人文

Culture was the central point of my reason to start this blog. I thought that there was so much to explore in Asian culture to try and understand the future.

Initially my interest was focused very much on Japan and Hong Kong. It’s ironic that before the Japanese government’s ‘Cool Japan’ initiative there was much more content out there about what was happening in Japan. Great and really missed publications like the Japan Trends blog and Ping magazine.

Hong Kong’s film industry had past its peak in the mid 1990s, but was still doing interesting stuff and the city was a great place to synthesise both eastern and western ideas to make them its own. Hong Kong because its so densely populated has served as a laboratory of sorts for the mobile industry.

Way before there was Uber Eats or Food Panda, Hong Kongers would send their order over WhatsApp before going over to pay for and pick up their food. Even my local McDonalds used to have a WhatsApp number that they gave out to regular customers. All of this worked because Hong Kong was a higher trust society than the UK or China. In many respects in terms of trust, its more like Japan.

Korea quickly became a country of interest as I caught the ‘Korean wave’ or hallyu on its way up. I also have discussed Chinese culture and how it has synthesised other cultures.

More recently, aspect of Chinese culture that I have covered has taken a darker turn due to a number of factors.

  • Colin Kaepernick + more things

    Colin Kaepernick 

    If you work in marketing, you’d have had to hidden in a remote jungle outpost to avoid all the industry big opinion pieces and social discussion over Nike’s latest brand campaign. The outrage was over a social image of Colin Kaepernick supporting the video content below

    Believe in something. Even if it means sacrificing everything.

    Everything has become political. New Balance got the whip end of it from liberals during the early part of the Trump administration because of its domestic manufacturing plants and his focus on American jobs. The New Balance CEO made positive remarks about the president focusing on domestic manufacturing and liberals burned their sneakers on social media.

    So from the beginning Nike was in the ‘not Trump camp’ because of its business model. The question would be should it put its head above the parapet or not? From a marketing history that has worked with directors like Spike Lee – this is almost a non question.

    Nike also has demographics on its side, banking on the African American community and urban kids over aging Trump supporters. This will also play well in western European markets.

    Nike has trends behind it at the moment. Hypebeast style is on the ascendency, even in preppy lookbooks you are likely to see the blazer and chinos paired with a pair of Air Max in a colour scheme that pops.

    In my mind working with Colin Kaepernick was inevitable because it was such a Nike thing to do. Down the road Kaepernick is going to make a stylish articulate spokesperson, think Michael Jordan but with more of a ‘thinking man’ image. (Yes I know Michael Jordan is sharp as a button but he’s got more swagger).

    From Nike’s perspective it was a good tactical move. The timing was ideal to get out ahead of the NFL season, rather than being seen as a reaction to it. Scott Galloway went as far as to call it the ‘gangster marketing’ move of 2018. But no it wasn’t particularly brave on the part of Nike. From a Nike point-of-view this kicks the inevitable liberal media cyclical discussion about Nike and children working in third-world sweatshops a bit further down the road. I guess Nike won’t have to worry about yet another set of shoe brands like Starbury, Patrick Ewiing or And1 coming up anytime soon. Commentators tend to forget that they emerged because Nike was seen to be using black athletes to gouge poor consumers out of excess cash and fuelling criminality to have the ‘right’ shoes. What a difference a president makes.

    Secondly, there is an issue of has bravery become an overused word?

    • By using it to sell sneakers and track tops are you cheapening the sacrifices of fallen first responders, civil rights activists or military personnel?
    • Where do whistle blowers like Chelsea Manning and Edward Snowden fit into it?
    • And what does it say about America when you have to be brave to use your constitutional rights?

    Everything has become weaponised, how do we step back from this? More on Nike here.

    its a rare one of the columns when I am dealing with two pretty grim subjects in a week. The Register broke the news about western intelligence services declaring a new war on privacy – its a even more alarming when you think about how populist politics has blown up in the past few years. This is the best written reaction that I have seen to it. Schneier is a online security expert and I’d trust his judgement over any politicians: Five-Eyes Intelligence Services Choose Surveillance Over Security – Schneier on Security. Go and have a read, I’ll still be here when you come back.

    As you can understand I’d like to lift the mood a bit. The reaction of Japanese people to western swear words once they are explained to them is priceless.

    NASA on the Cray super-computers that they used in the mid-1980s

    My former colleague Haruka is doing a daily illustration challenge, creating artworks on 1 inch x 1 inch paper square. (An inch is 25.4mm)

     

     
     
     
     
     
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    A post shared by Haruka (@haruka.illustrations) on

  • Realm of the Damned by Alec Worley

    I was given a copy of Realm of the Damned – Tenebris Deos by one of the staff at Forbidden Planet. Werewolf Press did a really nice job of printing up Alec Worley’s graphic novel. The subtitle is a nice touch as Worley must have been thinking that he had a franchise on his hands.

    Realm of the Damned

    The next installment is out later this year.

    So whats Realm of the Damned like? It reminded me a lot of Blade 2. You have the titular character who is a natural enemy of vampires brought in by them to kill a super vampire that would kill all of them.

    The closeness of a vampire slayer to the Catholic church is very reminiscent of John Carpenter’s Vampires series of films. The main protagonist Alberic Van Helsing is already tired and worn out, rather like Wolverine in Old man Logan; but with severe addiction issues.

    Where Realm of the Damned differs from these films is in aesthetic. It’s like something out of a black metal album lyrics. Darkness, killing, death, decay, hopelessness, savagery, dark magic, endless supplies of blood.

    A badass character like Kate Beckensdale’s Selene from the Underworld series would only work if she was emerging from a sea of blood. Think Ursula Andress emerging from the sea in Doctor No, but everything’s red.

    https://www.youtube.com/watch?v=AZ6mOC4uSX4

    And there in lies the weakness of Realm of the Damned. It’s something that the writers of Arachnophobia knew very well. If you want something to shock and horrify, use it sparingly. Unlike horrific spider films of the 1950s and 60s Arachnophobia had one spider who popped up at any time rather than a legion of spiders.

    Even Garth Ennis’ The Punisher punctuates violence with detail and plot movements. Realm of the Damned splashes the claret too much and loses much of its effect.

    Of course, I am probably not the main target audience for this book.

  • 2018 Brand Action Library & things from last week

    The 2018 Brand Action Library by Planning Dirty has been published. I contributed one of the sections. You can view it and download it here. The 2018 Brand Action Library is a collection of campaign case studies for inspiration sorted by vertical market. it was collaborative efforts with planners and strategists from around the world, coordinated by Australian strategist Julian Cole. 

    Here’s the things that made my day this week –

    The Nonetheless podcast is looking to inspire female students to take up careers in STEM subject areas; as way of broadening and deepening STEM skills throughout America. As part of this, they’ve created great posters to download.  Find out more about the podcast here. You can find out more about Cynthia Breazeal’s work on her personal MIT website.

    01 Cynthia Breazeal

    Salvador Dalí & Walt Disney’s Short Animated Film, Destino, Set to the Music of Pink Floyd | Open Culture – it is worthwhile reading Open Culture’s bit on the backstory of this animation. They’re right, this does fit really well with Time off Pink Floyd’s Dark Side Of The Moon album

    I have been listening to a vintage concert by Hijack in Montreux. The Montreux Jazz Festival played host to the South London rap group. The film captures them at their height. While the Britcore scene faded away into history, it left an enormous influence on the next generation of turntablists. The britcore sound of which Hijack was an exemplar is rougher, faster and harder than US productions. The closest America had to offer was Public Enemy’s wall of sound, which still lacked the energy and pace of Hijack. It feed into the breakbeat culture of rave and drum and bass music scenes. Smooth, nice and groovy it isn’t. 

    Great brand film by Mercedes-Benz; presumably aimed at reframing the whole debate around women drivers. The film was made by R/GA, New York.

    Finally Miu Miu’s autumn winter collection film is really nicely done.

    More luxury related content here.

  • Über by Kieron Gillen

    Back in the day reading graphic novels like the Über series would have been a niche interest at best.  Now with the rise of Marvel and DC universe films they are part of mainstream culture.

    Über invasion

    But not all comics are about accessible hero stories with easy cinematic adaption. My preferred writers like Gillen use the superheroes to ground the stories more in a gritty reality.

    Garth Ennis from Preacher to The Boys has looked to subvert and examine comic franchise conventions. Gillen tried to get us to examine our own conventions and pre-conceptions about war.

    I see clear parallels between their work and the ‘political’ spaghetti westerns of Franco Solinas in particular.

    Gillen’s Über uses superheroes to explain the kind of damage cased by massed Russian artillery in the march to Berlin and atom bomb blasts a la Hiroshima.  Superheroes make the horrors of war more relatable.

    It is also interesting how what would seem to be a ‘diesel punk’ series hinges on transformations that are outside the the power of medicine even now. Finally, there is a clear parallel and differentiation between Captain America and Über.

    In summary, if you want a good thoughtful read and aren’t squeamish; start reading Über.

  • Five things marketers can learn from the life and career of Aretha Franklin

    Aretha Franklin at Madame Tussaud's New York

    Aretha Franklin left a great body of work behind her over a five decade career in music. Her career had its degrees of twists and turns, both of which are reasons why she will sit along icons like David Bowie and Prince. But don’t you just die a little inside when someone on LinkedIn takes advantage of a celebrity death? They post a catchy headline like the one above about Aretha Franklin.

    They then come up with five general points that could fit into most people’s lives. They think that they are profound as Chicken Soup For The Soul or a Maya Angelou quote. In reality they are asinine crap.

    There are others who with list marketing tropes that probably first read in Philip Kotler’s Principles of Marketing; but they think are gold dust. They aren’t.

    So before you put finger to keyboard in order to boost your visibility by capitalising on the name of a dead person – don’t. I get that you want visibility to help your business or career, but at what cost? You give the industry that I work in a bad name. Which is the reason why we see commentary like this one by Bill Hicks. When marketing and advertising is trying to be relevant to society, why would professionals want to alienate society further?

    1. Did you actually know the celebrity? If not, now is not the best time for your article.
    2. Would your article be read out at a funeral as a eulogy? If not, don’t press publish.
    3. Will the celebrity’s fans appreciate your contribution to the celebration of their career? If not don’t publish.
    4. Is your article designed purely to capture the wave of interest about the celebrity? If so, don’t publish.
    5. Search your motivations, is this about you appearing as an expert rather than celebrating the career of the celebrity? If yes, or you’re not sure – don’t publish.