Category: culture | 文明 | 미디어와 예술 | 人文

Culture was the central point of my reason to start this blog. I thought that there was so much to explore in Asian culture to try and understand the future.

Initially my interest was focused very much on Japan and Hong Kong. It’s ironic that before the Japanese government’s ‘Cool Japan’ initiative there was much more content out there about what was happening in Japan. Great and really missed publications like the Japan Trends blog and Ping magazine.

Hong Kong’s film industry had past its peak in the mid 1990s, but was still doing interesting stuff and the city was a great place to synthesise both eastern and western ideas to make them its own. Hong Kong because its so densely populated has served as a laboratory of sorts for the mobile industry.

Way before there was Uber Eats or Food Panda, Hong Kongers would send their order over WhatsApp before going over to pay for and pick up their food. Even my local McDonalds used to have a WhatsApp number that they gave out to regular customers. All of this worked because Hong Kong was a higher trust society than the UK or China. In many respects in terms of trust, its more like Japan.

Korea quickly became a country of interest as I caught the ‘Korean wave’ or hallyu on its way up. I also have discussed Chinese culture and how it has synthesised other cultures.

More recently, aspect of Chinese culture that I have covered has taken a darker turn due to a number of factors.

  • Mercedes 300D & things that made last week

    This video on the 1970s and 1980s Mercedes 300D is instructive in terms of the amount of work that was put into industrial design. What would now be called user experience in a more digital world. The Mercedes 300D was a workhorse of European taxi fleets during the 1970s and 1980s. They became a popular car in the developing world because they were so robust and there are still vintage car owners now who love them because of their design and engineering. When I close my eyes and think of Mercedes, this is the era that encapsulated the essence of Mercedes for me.

    Japan had a culture of non-fiction informational manga as well as the stuff that we’re used to seeing in the west. I’d not seen it done in anime before but ti works really well. Here is a short film made by the people that brought you Sailor Moon in the mid 1970s. It explains some of the incidents that form the base of UFO sightings and subsequent UFO conspiracy theories popular during the cold war.

    https://youtu.be/5k0Yz-iVxdY

    The social side of online computer games. Gaming like chat rooms and social before it brings together like-minded people. My cousin moved to Canada but keeps up with friends from college and home in Ireland over online gaming quests. But these people aren’t merely maintaining existing connections, but building new ones. What also becomes apparent is how detached many people are from their communities. Not just in major cities like London, but also small towns in Wales. More consumer behaviour related content here.

    Amazon is bringing Garth Ennis’ The Boys to the small screen. Karl Urban is a lean but less imposing Butcher and Wee Hughie ISN’T played by Simon Pegg….

    South China Morning Post’s Abacus channels The Pixel Boys to try and bring China’s tech giants to life for westerners: China Tech City | Abacus 

  • Digital Rx + more things

    Digital Rx – JWT Intelligence – Digital Rx covers a wide range of services from telemedicine to AI mediated diagnosis and everything in between. Pharmaceutical companies are looking a digital companion app functionality to help keep patient adherence high. I only hope that they’re not as much of a car crash as the first lot of apps like Babylon Health

    China’s new creatives – JWT IntelligenceThis new wave of consumers recognizes China’s rising economic status and thus possesses an acute sense of national pride; no longer are they reliant on Western fashion brands and influence to define how they express themselves as individuals. Yet the world is small, and despite crackdowns on international cultural imports like hip-hop and K-pop, there are echoes in China of what defines Gen Z tastes abroad in the streetwear, beauty, art, luxury and online landscapes. This is channeled through a powerful new creative lens

    High-art airports – JWT Intelligence – air travel need to lift its image after the TSA experience post 9/11 and discount airlines dragged it into the gutter

    Making Connections: 53 Teenagers Suggest Creative Ways to Link School Curriculum to the World of 2019 – The New York Times – great reading (paywall)

    Empire.Kred | Grow your Social Audience – gaming Facebook likes to drive engagement numbers. Not great for marketers but might benefit media companies on Facebook in terms of impact on reach

    Disgraced Korean Air Heiress Regains Executive Job – The Chosun Ilbo (English Edition): Daily News from Korea – Business > Business – surprised that they’ve pushed this through so fast

    Japan’s Hometown Tax | Kalzumeus Software – one of the best examples of cultural insight led marketing campaigns

    Agencies must redress decoupling damage | WARC – creative opportunities are lost without media thinking and media thinking needs to incorporate context that is so important for creative. Media also needs to fix basic hygiene issues

    Code Red | Logic Magazine – the nature of Chinese innovation versus US innovation

  • Tide Super Bowl ads + more

    Tide Super Bowl Campaign

    A little bit old, but this Mark Ritson advertising case study of Tide Super Bowl campaign is must watch material. I like the Tide Super Bowl campaign as creative and media planning came together.

    The ad industry insider in me liked the way the Tide Super Bowl campaign spoofed various genres of advertising. More marketing content here.

    Lowersumerism

    ‘Lowersumerism’ by Box 1824 reflects on the tension between environmentalism and consumerism. Manufacturing, advertising and consumption are a virtuous cycle. Individuality drove the process further forward. What Lowersumerism doesn’t provide is a viable answer or approach to consumerism.

    National Film Board of Canada

    Amazing collection of modern culture for the commons – Watch 3,000 Films Free Online from the National Film Board of Canada, Including Portraits of Leonard Cohen, Margaret Atwood & Jack Kerouac | Open Culture 

    The quality of the content that has been made available by the National Film Board of Canada is stunning.

    Recycling robot

    MIT put out this demo of a recycling robot. It doesn’t answer challenges such as laminate packaging, but it’s very interesting in terms of its automation of sorting. In a lot of countries this sorting process is often done by hand with a limited amount of machine input. Recycling supports some of the poorest people in the world’s societies.

    Fall or Dodge In Hell

    Author Neal Stephenson has been promoting his new book Fall or Dodge In Hell and as always the talk is well worth listening to. Stephenson’s work has the eye for the human condition like Douglas Coupland. But he marries this with a great understanding for mathematics and technology. Fall or Dodge In Hell riffs on characters from his previous book Reamde.

    In this reading he talks about myths and storytelling as an operating system for the human mind and optimised sleep.

  • Gundam into Space + more stuff

    Japan Wants to Launch Gundam Into Space for the 2020 Tokyo Olympics – I am looking forward to the next Tokyo Olympics. Not for the athletics but everything else that the Japanese organising committee wraps around it. I mean if a Gundam goes into space, what’s next? Godzilla takes part in the olympic torch relay and hands off to Shotaro Kenada on his iconic bike?

    Challenging stereotypes has become a key trend in advertising recently. Part of it is down to the movements supporting diversity and LGBTQ communities. GS Caltex have chosen to challenge the stereotypes surrounding stepmothers in Korean society with this advert. These  were run on YouTube and distributed via online fairy tale platform “Iwing” and on Naver, a leading portal in Korea. You don’t need to speak Korean to understand the gist of where campaign was going.

    A bit of oil history for you. GS Caltex is a joint venture business between what was then GoldStar (now LG) and Caltex. Caltex was an joint international joint venture between Chevron (Standard Oil of California or SOCal) and Texaco. Both of which were part of the Seven Sisters of western oil companies who dominated exploration, production and refining until the 1970s.

    We’re starting to see an increased focus on craft in advertising after a decade of obsession with performance marketing to the detriment of brand. So now is as good time as any to revisit London agency CDP (Collett Dickenson Pearce) work on Hamlet cigars during the 1970s.

    I love this cheeky send-off and backhanded tribute that BMW gave Dieter Zetsche when he retired as CEO of Mercedes-Benz. In reality Mercedes-Benz and BMW have different brand attributes and strengths.

    IDEO has commissioned an oral history of itself as a corporate video. It covers their move from industrial design to the design of ideas.

  • Beauty trends

    Beauty trends is a bit tricky – there are generational and cultural aspects to beauty and standards. I’ve tried to tease out elements that will ripple around the world.

    Digital Beauty

    Chinese women use Meitu and other beauty apps to present the best versions of themselves with a virtual makeover. This goes from skin quality, skin tone and make-up to a full virtual plastic surgery style makeover.

    Meitu has 63 apps and 2 mobile websites as it expands internationally.

    Meitu beauty cam

    Meitu has collaborated with over 100 make-up brands including L’Oreal, Guerlain, Lancôme, Estée Lauder, and Shiseido.

    Meitu is only the tip of the spear. Smartphone manufacturer Huawei has provided a simple beauty mode in its default camera app. Chinese video streaming software provides a similar functionality for performers. Even Skype had trialed a digital make-up service in association with Shiseido.

    Authenticity

    There is a tension between the trends in authenticity and some of the developments that we’ve seen in beauty.

    On the one hand there are the clean and effortless beauty movements that taped into a wider consumer trend around natural.

    On the other hand you have the Korean ten-step beauty process popularised over the last decade and digital beauty apps – particularly from China and Korea.

    In the case of digital beauty and instagram filters critics claim that a new form of dysmorphia seems to be emerging. Its the difference between what they see in the mirror and on their smartphones.

    That dysmorphia is one of the things that has driven a move towards authenticity. In the West, wider moves around everything from trans rights to the body positive movement has redefined what make-up does.

    Punk

    Whilst most people think of punk and associate it with tourists taking pictures in Camden, the Sex Pistols and Vivienne Westwood. But the biggest impact of punk was the rise of independent media from fanzines to record labels. We’re seeing a similar DIY approach in the beauty industry. Big beauty companies are being challenged by independent companies with a narrow or even singular product focus. There are a number of perceived advantages to these independent brands:

    • Perception that niche brands spend less on advertising and more on research and development; these products can be considered more specialised and effective
    • Niche beauty brands can have greater social currency in terms of being an element of self expression and part of friend-to-friend recommendations

    In China, you see a greater interest in these independent niche brands from men than female consumers.

    Diversity

    Traditionally make-up has been an additive process to conceal and cover up blemishes, flaws and signs of ageing. Modern make up is about celebrating quirks and even flaws. This goes beyond beauty spots to female baldness and skin conditions. Effortless make-up is often an artfully constructed look where the person rolled straight out of bed.

    Beauty from the inside

    Beauty from the inside has a mix of socio-cultural aspects to it. In China it includes focusing on quality sleep to reflect in beauty regimes. The key thing for most brands is the ingestion of ingredients. Where are the lines drawn between make-up and the health-like claims of functional foods? Could we see licensed pharmaceutical products as cosmetic aids like currently happens in China? Here’s that the Hong Kong Trade and Development had to say about ‘cosmeceuticals’ in their report on China’s Cosmetics Market:

    Cosmeceuticals, especially Chinese herbal cosmetics, are opening up a new territory in the cosmetics market. It is understood that more than 170 enterprises have tapped into China’s cosmeceuticals market to date, many of them renowned pharmaceutical companies in China, such as Tongrentang and Yunnan Baiyao. Cosmeceuticals only have a market share of about 20% in the mainland at present. In Europe, the US and Japan, cosmeceuticals have a 50-60% share. It is believed that China’s cosmeceuticals market has much room for development. As young consumers begin to concern themselves with the ingredients and quality of products, consumption of cosmeceuticals tends to start at increasingly early ages. While cosmeceuticals have medical properties, they are classified as cosmetics since there is still no official definition for the term ‘cosmeceuticals’ on the mainland.

    China’s Cosmetics Market – HKTDC Research

    Natural

    Natural has affected the food industry and this has extended to beauty trends Younger consumers are interested in products that don’t contain ingredients that sound synthetic. The lack of artificial ingredients a key selling point. Instead they expect natural and botanical ingredients.

    A natural output of this trend has been a rise in home manufactured cosmetics supported by an eco-system of how-to videos on YouTube.

    Ageing

    The population of the developed world in both the west and east is aging. This means that gen-y and gen-z obsessed beauty marketers are having to adapt to an ageing audience. They have the disposable income and the demand for beauty products.

    Brands are adapting their

    • Products and formulations
    • Packaging
    • Language – you know longer see ‘anti-aging’ used on many product descriptors, despite that being essentially what the products ‘do’

    More information

    Digital Watch: How Chinese Millennials & Gen Zers are Re-connecting with Their Elders | Jing Daily

    App Annie data on Meitu

    Shiseido’s New “TeleBeauty” App , A Virtual Makeup Solution for Online Meetings | Shiseido News Releases

    China’s selfie obsession | The New Yorker

    China’s Cosmetics Market – HKTDC Research

    92% of Chinese males prefer niche beauty brands: report | Campaign Asia

    The future of skincare – Spencer Schrage, Ogilvy Consulting