Velvet is the antithesis of mainstream comics. In a world of Marvel-dominated culture, it is hard to imagine more realistic material. Ed Brubaker got the freedom to publish Velvet after several years at DC, Vertigo and Marvel.
Velvet is a welcome antidote to the superhero genre of graphic novels. Instead, you get a cold war era spy drama with modern storytelling. Velvet tells the story of a middle-aged Anne Bancroft-like secretary and one-time agent. The story gets going when she is set up for murder by persons unknown.
In this respect, it outlines the kind of spy plot that would be familiar to readers of Len Deighton or Alistair Maclean. Brubaker’s choice of the early 1970s goes back to a pre-cellphone and computer age. This provides him with a broader canvas to work with.
The story feels modern in its non-linear narrative that moves back and forth between 1956 and 1973. The story zips through Europe across both sides of the Iron Curtain as Velvet tries to find who set her up. The comic features highly kinetic action reminiscent of Matt Damon-era Jason Bourne.